Palm Springs International Film Festival
Camera Ltd.
PALM SPRINGS -- The title character of Warden of the Dead, a 13-year-old orphan, shepherds the deceased and the grieving through the sprawling, labyrinthine cemetery where he lives and works.
Despite a premise that sounds lugubrious, the film is, at its best, a bright, autumnal fable tinged with comic absurdity. Writer-director-editor Ilian Simeonov loads his increasingly unfocused narrative with too many metaphoric elements, however, straining rather than enriching his story. If it doesn't coalesce, Bulgaria's foreign-language Oscar submission is nonetheless atmospheric and engaging for much of its running time.
Known only as the Kid (Vladimir Georgiev), the ragged-haired protagonist takes his job seriously, organizing crews of gravediggers, florists and dirge singers. When he's not traversing the premises with an air of authority, a pack of dogs at his heels, he sits in a modest house in a corner of the cemetery, pasting pictures of the recently buried into a little book. On the TV, a news commentator remarks on the pointlessness of an ongoing, unnamed war in the Balkans (the film's time period is unspecified).
The Kid can prophesy death, and when he says someone will die in 10 days, his elderly friend Angel (Itzhak Fintzi) prepares happily for his own longed-for demise. Having just watched the casket of his nemesis lowered into a rain-filled grave (the film's striking opening scene), Angel no longer has a reason to live. But for the dead man's daughter (Diana Dobreva), the betrayal that cost Angel his love and his freedom is not a closed chapter. She may also offer hope to cemetery employee Ivan (Samuel Fintzi, son of the actor playing Angel), a frustrated painter who idolizes Rubens.
Lensing by Dimitar Gotchev, who also produced the film, captures a vivid sense of the Kid's (the region's?) self-contained world. But Warden suffers from an excess of symbolic and magic-realist story strands. The secret nighttime delivery of war dead in plastic bags, for example, might have had more impact if it weren't sharing screen time with the Kid's telekinetic powers.
Camera Ltd.
PALM SPRINGS -- The title character of Warden of the Dead, a 13-year-old orphan, shepherds the deceased and the grieving through the sprawling, labyrinthine cemetery where he lives and works.
Despite a premise that sounds lugubrious, the film is, at its best, a bright, autumnal fable tinged with comic absurdity. Writer-director-editor Ilian Simeonov loads his increasingly unfocused narrative with too many metaphoric elements, however, straining rather than enriching his story. If it doesn't coalesce, Bulgaria's foreign-language Oscar submission is nonetheless atmospheric and engaging for much of its running time.
Known only as the Kid (Vladimir Georgiev), the ragged-haired protagonist takes his job seriously, organizing crews of gravediggers, florists and dirge singers. When he's not traversing the premises with an air of authority, a pack of dogs at his heels, he sits in a modest house in a corner of the cemetery, pasting pictures of the recently buried into a little book. On the TV, a news commentator remarks on the pointlessness of an ongoing, unnamed war in the Balkans (the film's time period is unspecified).
The Kid can prophesy death, and when he says someone will die in 10 days, his elderly friend Angel (Itzhak Fintzi) prepares happily for his own longed-for demise. Having just watched the casket of his nemesis lowered into a rain-filled grave (the film's striking opening scene), Angel no longer has a reason to live. But for the dead man's daughter (Diana Dobreva), the betrayal that cost Angel his love and his freedom is not a closed chapter. She may also offer hope to cemetery employee Ivan (Samuel Fintzi, son of the actor playing Angel), a frustrated painter who idolizes Rubens.
Lensing by Dimitar Gotchev, who also produced the film, captures a vivid sense of the Kid's (the region's?) self-contained world. But Warden suffers from an excess of symbolic and magic-realist story strands. The secret nighttime delivery of war dead in plastic bags, for example, might have had more impact if it weren't sharing screen time with the Kid's telekinetic powers.
- 3/31/2008
- The Hollywood Reporter - Movie News
The animated film "Persepolis", from France, Denys Arcand's "Days of Darkness" from Canada, Johnnie To's "Exiled" from Hong Kong and Cristian Mungiu's Palm d'Or winner "4 Months, 3 Weeks and 2 Days" are among the 63 films that have qualified for Oscar consideration in the Academy of Motion Picture Arts & Sciences' foreign language film category.
The record number of 63 entries include first-time submissions from Azerbaijan (Farid Gumbatov's "Caucasia") and Ireland (Tom Collins' "Kings").
Nominations for the 80th Academy Awards will be announced Jan. 22, and the Oscars will be handed out Feb. 24.
The complete list follows:
Argentina, "XXY", Lucia Puenzo, director; Australia, "The Home Song Stories", Tony Ayres; Austria, "The Counterfeiters", Stefan Ruzowitzky; Azerbaijan, "Caucasia", Farid Gumbatov; Bangladesh, "On the Wings of Dreams", Golam Rabbany, Biplob; Belgium, "Ben X", Nic Balthazar; Bosnia and Herzegovina, "It's Hard to Be Nice", Srdan Vuletic; Brazil, "The Year My Parents Went on Vacation," Cao Hamburger; and Bulgaria, "Warden of the Dead", Ilian Simeonov.
Canada, "Days of Darkness", Denys Arcand; Chile, "Padre Nuestro", Rodrigo Sepulveda; China, "The Knot", Yin Li; Colombia, "Satanas", Andi Baiz; Croatia, "Armin", Ognjen Svilicic; Cuba, "The Silly Age", Pavel Giroud; Czech Republic, "I Served the King of England", Jiri Menzel, director; Denmark, "The Art of Crying", Peter Schonau Fog; Egypt, "In the Heliopolis Flat", Mohamed Khan; and Estonia, "The Class", Ilmar Raag.
The record number of 63 entries include first-time submissions from Azerbaijan (Farid Gumbatov's "Caucasia") and Ireland (Tom Collins' "Kings").
Nominations for the 80th Academy Awards will be announced Jan. 22, and the Oscars will be handed out Feb. 24.
The complete list follows:
Argentina, "XXY", Lucia Puenzo, director; Australia, "The Home Song Stories", Tony Ayres; Austria, "The Counterfeiters", Stefan Ruzowitzky; Azerbaijan, "Caucasia", Farid Gumbatov; Bangladesh, "On the Wings of Dreams", Golam Rabbany, Biplob; Belgium, "Ben X", Nic Balthazar; Bosnia and Herzegovina, "It's Hard to Be Nice", Srdan Vuletic; Brazil, "The Year My Parents Went on Vacation," Cao Hamburger; and Bulgaria, "Warden of the Dead", Ilian Simeonov.
Canada, "Days of Darkness", Denys Arcand; Chile, "Padre Nuestro", Rodrigo Sepulveda; China, "The Knot", Yin Li; Colombia, "Satanas", Andi Baiz; Croatia, "Armin", Ognjen Svilicic; Cuba, "The Silly Age", Pavel Giroud; Czech Republic, "I Served the King of England", Jiri Menzel, director; Denmark, "The Art of Crying", Peter Schonau Fog; Egypt, "In the Heliopolis Flat", Mohamed Khan; and Estonia, "The Class", Ilmar Raag.
- 10/18/2007
- The Hollywood Reporter - Movie News
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