The synthesizer was an obscure, expensive keyboard/gadget that was unknown in the age of loud guitars. But a few mavericks made use of the various sounds the instrument can do and inspired an entire generation of innovators and talents to take the promise of the instrument to the next and higher level. "Synth Britannia" chronicles the origins of the instrument from its simple beginnings to its dominant peak and eventual decline to its permanent place in the musical landscape. Tracing its start to the soundtrack of "A Clockwork Orange" and the German band Kraftwerk the documentary moves to its main theme of the music's hold on Britain and its story there. The early practitioners are well covered like Throbbing Gristle, The Human League, Cabaret Voltaire, The Normal, Ultravox and OMD. The floodgates burst open with the success of Gary Numan and Classic Synth was born, paving the way for the much maligned genre to be finally accepted in the mainstream ushering in a new wave of superstars like Depeche Mode, Soft Cell, Yaz and previously ignored acts like the aforementioned The Human League and OMD. Interviews and footage present a Britain in a time of social and economic turmoil with a hyper capitalist society and the talented musicians who emerged from these. Dismissing the traditional format of Punk while retaining its independent ideology the synth luminaries created some of the most compelling and groundbreaking music. With its cold, distinct, multifaceted sound the synthesizer dominated its time and changed music forever.
2 Reviews
Brilliantly executed music doc from the BBC
Red-Barracuda9 June 2016
BBC4 has a bit of a reputation for making extremely good music documentaries. A varied array of artists and genres have been covered in entertaining and informative ways. With this high standard in mind I have to say that Synth Britannia may very well be my favourite of the lot. It's not that I am a rabid fan of synth pop – I enjoy it and think it has considerable merit but am certainly no fanatic of it. But I felt this film simply tells us about this subject in a manner that makes it extremely interesting. So interesting it turned out that I immediately went out and bought an extensive compilation of synth-based pop from the 80's. You know a music doc has been successful when it makes you seek out more music.
It starts in the early 70's with the advent of experimental electronic music, exemplified by the likes of the soundtrack to A Clockwork Orange by Walter Carlos. This bit of hugely influential music was pretty ground-breaking in 1971 and created a soundscape using electronic music that was both sterile, haunting and ominous; which of course perfectly sound-tracked Stanley Kubrick's dark film. The next major happening was the emergence of the West German band Kraftwerk who were for many the true progenitors of electronic pop music. Throw in punk music with its DIY approach and the availability of cheap synthesizers to the public and there was a scenario for the first time where electronic based music could flourish. From this, many synth pop groups emerged. The movement began as resolutely uncommercial, with some acts being practically avant-garde in approach. As the genre developed more and more acts began to make an impact on the charts and synthesizers soon became inextricably linked with the new wave. By the mid 80's it had become overly commercialised and began to become irrelevant but in its time it produced some commendably forward looking music which genuinely was new music in the truest sense.
There are many reasons why this documentary is excellent. For one, the musicians interviewed seem to be more intelligent than you normally get. In fact, a considerable number of them seem quite bookish. This leads onto a further strength of the film in that it links in the influence of the novels of J. G. Ballard whose strange form of contemporary urban psychological sci-fi provided a massive source of material for many of the bands. The late 70's synth music in particular synthesized Ballard's bizarre ideas into a musical form which seemed to suit it perfectly. These bleak sounds were a perfect accompaniment to the concrete high-rises of a Britain at the time which was going through many social problems and ills. But in another way, this shows the genesis for what would go on to be electronica and dance music which would begin to rise to prominence in the late 80's and beyond. The influence of synth pop is therefore pretty incontestable and this documentary very successfully tells its story in a logical manner which covers all of the big hitters of the time. This is the definitive documentary on this subject and is recommended to all music fans; even if you are not a fan of synth pop this is still a great watch.
It starts in the early 70's with the advent of experimental electronic music, exemplified by the likes of the soundtrack to A Clockwork Orange by Walter Carlos. This bit of hugely influential music was pretty ground-breaking in 1971 and created a soundscape using electronic music that was both sterile, haunting and ominous; which of course perfectly sound-tracked Stanley Kubrick's dark film. The next major happening was the emergence of the West German band Kraftwerk who were for many the true progenitors of electronic pop music. Throw in punk music with its DIY approach and the availability of cheap synthesizers to the public and there was a scenario for the first time where electronic based music could flourish. From this, many synth pop groups emerged. The movement began as resolutely uncommercial, with some acts being practically avant-garde in approach. As the genre developed more and more acts began to make an impact on the charts and synthesizers soon became inextricably linked with the new wave. By the mid 80's it had become overly commercialised and began to become irrelevant but in its time it produced some commendably forward looking music which genuinely was new music in the truest sense.
There are many reasons why this documentary is excellent. For one, the musicians interviewed seem to be more intelligent than you normally get. In fact, a considerable number of them seem quite bookish. This leads onto a further strength of the film in that it links in the influence of the novels of J. G. Ballard whose strange form of contemporary urban psychological sci-fi provided a massive source of material for many of the bands. The late 70's synth music in particular synthesized Ballard's bizarre ideas into a musical form which seemed to suit it perfectly. These bleak sounds were a perfect accompaniment to the concrete high-rises of a Britain at the time which was going through many social problems and ills. But in another way, this shows the genesis for what would go on to be electronica and dance music which would begin to rise to prominence in the late 80's and beyond. The influence of synth pop is therefore pretty incontestable and this documentary very successfully tells its story in a logical manner which covers all of the big hitters of the time. This is the definitive documentary on this subject and is recommended to all music fans; even if you are not a fan of synth pop this is still a great watch.
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