Directed by
Robert Cohen |
Writing Credits
Marc Maron | ... | (created by) |
Sivert Glarum | ... | (written by) & |
Michael Jamin | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
Duncan Birmingham | ... | executive producer |
Robert Cohen | ... | co-executive producer |
Sivert Glarum | ... | executive producer |
Mark Grossan | ... | producer |
Michael Jamin | ... | executive producer |
Tony Lara | ... | associate producer |
Denis Leary | ... | executive producer |
Christine Lubrano | ... | executive producer for ifc |
Marc Maron | ... | executive producer |
Luke Matheny | ... | co-executive producer |
Matt McIntyre | ... | associate producer |
Tom Sellitti | ... | co-executive producer |
Jim Serpico | ... | executive producer |
Olivia Wingate | ... | executive producer |
Music by
Anthony Rizzo | ... | (score by) |
Cinematography by
Joe Kessler |
Editing by
Kyle Gilman |
Casting By
Dorian Frankel |
Production Design by
Bruton Jones |
Set Decoration by
Kris Fuller |
Costume Design by
Marissa Borsetto |
Makeup Department
Arleen Chavez | ... | hair supervisor |
Leslie Lightfoot | ... | makeup supervisor |
Production Management
Stephen G. Cowan | ... | post-production supervisor |
Mark Grossan | ... | unit production manager |
Second Unit Director or Assistant Director
Martin Jedlicka | ... | first assistant director (as Marty Jedlicka) |
Neil Lewis | ... | second assistant director |
Art Department
Tony Bonaventura | ... | property master |
Neil Mather | ... | assistant property master |
Kody Wynne | ... | graphic designer |
Sound Department
Glenn E. Berkovitz | ... | production sound mixer (as Glenn Berkovitz) |
Sean Heissinger | ... | re-recording mixer |
Camera and Electrical Department
Douglas Blagg | ... | key grip |
Peter Geraghty | ... | camera operator: "b" camera |
Robert Head | ... | best boy grip |
Joe Kessler | ... | camera operator: "a" camera |
Chris Mack | ... | first assistant camera: "b" camera |
Jordan Parhad | ... | gaffer |
Scott Ronnow | ... | first assistant camera: "a" camera |
Anselmo 'Chemo' Vargas | ... | best boy electric |
Casting Department
Brad Bittner | ... | extras casting |
Marlise Gunzenhauser | ... | casting associate |
Costume and Wardrobe Department
Bethany Jane Bohatila | ... | costumer |
Cassandra Conners | ... | costume supervisor |
Jordana Leeds | ... | key costumer / set costumer |
Editorial Department
Rita K. Sanders | ... | assistant editor |
John Sellars | ... | colorist |
Location Management
Joe Burns | ... | location manager |
Adam Keller | ... | assistant location manager |
Jesse Lorber | ... | key assistant location manager |
Music Department
Kevin Bassinson | ... | music editor |
Black Iris | ... | additional score by |
Anthony Rizzo | ... | main title theme by |
Gustavo Rodríguez | ... | main title theme by |
Anthony Roman | ... | main title theme by / music supervisor |
Script and Continuity Department
Denise Karey | ... | script supervisor |
Sean Russell | ... | script coordinator |
Transportation Department
Sean Erman | ... | transportation co-captain |
Craig Lietzke | ... | transportation captain |
Additional Crew
Jesse Cramer | ... | assistant to the producer |
Brandon DePaolo | ... | assistant to writers |
Andrew Gutin | ... | writers' assistant |
Charles Hurley | ... | payroll accountant (as Chuck Hurley) |
Molly Irwin | ... | assistant to producer: Jim Serpico |
Megan Kay Jordan | ... | production coordinator |
Esther Lee | ... | production executive |
Max Maksimovic | ... | first assistant accountant |
Leif Reinstein | ... | outside counsel |
Karen Roberts | ... | production accountant |
Thanks
Frank Mosca | ... | special thanks |