Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Metrograph
A full-career Brian De Palma retrospective is now underway. Sisters and Carrie play on Friday, and Saturday brings The Phantom of the Paradise — but that’s not even half of the first weekend.
Prints of Gilda, Space Jam, and shorts by Charles and Ray Eames screen this Saturday.
Museum of the Moving Image
Discover the...
Metrograph
A full-career Brian De Palma retrospective is now underway. Sisters and Carrie play on Friday, and Saturday brings The Phantom of the Paradise — but that’s not even half of the first weekend.
Prints of Gilda, Space Jam, and shorts by Charles and Ray Eames screen this Saturday.
Museum of the Moving Image
Discover the...
- 6/3/2016
- by Nick Newman
- The Film Stage
The Thoughts That Once We Had (2015) takes the form of a conversation. The most recent feature by American filmmaker Thom Andersen unfolds as a running dialogue between him and the late French philosopher Gilles Deleuze, who wrote extensively about cinema. Throughout this new film, clips from older films are interwoven with lines of text that appear onscreen — some of which are direct quotations from Deleuze, and some of which are personal ruminations, responses, and elaborations from Andersen, who taught his two volumes on cinema for a quarter-century at the California Institute of the Arts (CalArts). A few of […]...
- 6/2/2016
- by Aaron Cutler and Mariana Shellard
- Filmmaker Magazine - Blog
Engram of ReturningThe selection at this year’s installation of the Film Society of Lincoln Center’s Art of the Real film festival, an annual showcase dedicated to conveying the spectrum of nonfiction filmmaking, are an intriguing bunch culled from a variety of seemingly opposing cultures, yet still exhibiting a fascination with interrogating the past. That this fixation is explored through a miscellany of aesthetic methods is only testament to the veracity of the festival’s undertaking.As this year’s sidebar retrospective of avant-garde giant Bruce Baillie’s work evinces, the nuances and vagaries of the term ‘“nonfiction” allow for fruitful pairings of works that continue the lineage of the abstract, non-narrative work that comes to define our idea of the American avant-garde with those of more familiar documentary tendencies. Daïchi Saïto’s superlative Engram of Returning, playing as part of the second shorts program,is certainly the film...
- 4/7/2016
- by Eric Barroso
- MUBI
Thom Andersen and Pedro Costa on stage at the Courtisane Festival. Photo by Michiel Devijver.This year’s Courtisane Festival paired Pedro Costa and Thom Andersen as their artists in focus. Both filmmakers hung out with each other and the public for the full five days of this under-recognized gem of a festival in Ghent. What at first might seem very different directors with distinct backgrounds actually proved to be kindred spirits. In the end credits of his new cine-history, The Thoughts That Once We Had, Andersen thanks Costa, because “without [him] this motion picture would have been poorer.” Andersen has admired Costa’s work ever since he discovered In Vanda’s Room (2000) at the Montreal Festival du Nouveau Cinéma in 2001. He wrote about this experience and about Colossal Youth (2006) in Film Comment in 2007. Andersen has invited Costa to CalArts, where he teaches, more than once, and Cinema Scope published a...
- 7/17/2015
- by Ruben Demasure
- MUBI
Online from the new issue of Film Comment are pieces on Albert Maysles, Martín Rejtman and Jang Jin, plus Matías Piñeiro on Carole Lombard in Alfred Hitchcock's Mr. & Mrs. Smith and more. Also in today's roundup: A crowd-funding campaign for Orson Welles, a conversation with Gina Telaroli, a profile of J. Hoberman, wisdom from Frederick Wiseman, a new book on Errol Morris, another one by Werner Herzog, a review of Thom Andersen's The Thoughts That Once We Had, "Genetic Engineering, Slavery, and Immortality in Ridley Scott’s Blade Runner"—and more. » - David Hudson...
- 5/7/2015
- Fandor: Keyframe
Online from the new issue of Film Comment are pieces on Albert Maysles, Martín Rejtman and Jang Jin, plus Matías Piñeiro on Carole Lombard in Alfred Hitchcock's Mr. & Mrs. Smith and more. Also in today's roundup: A crowd-funding campaign for Orson Welles, a conversation with Gina Telaroli, a profile of J. Hoberman, wisdom from Frederick Wiseman, a new book on Errol Morris, another one by Werner Herzog, a review of Thom Andersen's The Thoughts That Once We Had, "Genetic Engineering, Slavery, and Immortality in Ridley Scott’s Blade Runner"—and more. » - David Hudson...
- 5/7/2015
- Keyframe
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