Getting set for a marathon day of viewings at the Cine-Excess online festival,I decided to read the plot details for the upcoming streams. A big fan of Nordic Noir, I was intrigued to learn of a mystery Horror/Thriller from Denmark being in the line-up,leading to me investigating the victim of love.
View on the film:
Entering the hotel where Amy and Charly stayed with the "Loner searches for missing woman" Nordic Noir staple, the screenplay by co-writer/(with Sonny Lahey) director/editor Jesper Isaksen crunch the stapler into a visceral odyssey of Charly's red-mist obsession.
Biting into all the detail's of Amy's life which she had kept hidden from Charly, (played by a excellent,on-edge Rudi Kohnke) the writers twist the knife on each former associate of Amy's revelation over where she might have disappeared to, deepening the wounded masculinity of Charly, who lunges out at those who are stripping his thin-layer of obsession mind-set, and unveiling his red raw anger for all to see.
Glimpsing in the opening credits a partially obscured object which will become fully visible for the final sting, director Isaksen & cinematographer Mathias Tegtmeier pin open the soul of Charly with a brooding atmosphere from rugged long panning shots entering the belly of the beast to Amy's past, moving upwards to lens flare casts wide clouding Charly's awareness of the differences between reality and his blood-dripping nightmares, as he looks in the mirror and finds that he might as well face it, he's addicted to love.
View on the film:
Entering the hotel where Amy and Charly stayed with the "Loner searches for missing woman" Nordic Noir staple, the screenplay by co-writer/(with Sonny Lahey) director/editor Jesper Isaksen crunch the stapler into a visceral odyssey of Charly's red-mist obsession.
Biting into all the detail's of Amy's life which she had kept hidden from Charly, (played by a excellent,on-edge Rudi Kohnke) the writers twist the knife on each former associate of Amy's revelation over where she might have disappeared to, deepening the wounded masculinity of Charly, who lunges out at those who are stripping his thin-layer of obsession mind-set, and unveiling his red raw anger for all to see.
Glimpsing in the opening credits a partially obscured object which will become fully visible for the final sting, director Isaksen & cinematographer Mathias Tegtmeier pin open the soul of Charly with a brooding atmosphere from rugged long panning shots entering the belly of the beast to Amy's past, moving upwards to lens flare casts wide clouding Charly's awareness of the differences between reality and his blood-dripping nightmares, as he looks in the mirror and finds that he might as well face it, he's addicted to love.