I don't know what people got a problem with this film. In my opinion this is an underestimated film of 2004.
I found the film to be a very intelligent film. What the film is dealing with is what on how Will Graham is going to get his revenge.
The characters in the film don't know what to make of Graham, whether he is a threat of not. You got Graham's friends who think that Graham hasn't got the bottle to kill again. You got Ken Stott character who feel threaten by Graham and jumps into the wrong conclusions. It turns out in the end all Graham want is to get his revenge and have a peaceful life. He doesn't want to go back to the life of violence.
I.S.W.I.D. remind me of Hodges' Get Carter but Hodges turn it around and also had a touch of his unknown films like The Terminal Man and A Prayer For The Dying where the central characters is also trying to avoid the violent surrounds, but it still keeps coming back to them.
I know many critics didn't like the film, reckon it didn't have anything to say. They must of watched at the wrong movie, I thought it had a lot to say.
Most of Hodges best films have got a lot to say: Get Carter, Black Rainbow, The Terminal Man (even Flash Gordon). OK, the the majority of his films are slow moving, the good thing about Hodges he brings tension and originally in his films. Also you can watch them again and see something new in them, which you don't get in many films.
I found the film to be a very intelligent film. What the film is dealing with is what on how Will Graham is going to get his revenge.
The characters in the film don't know what to make of Graham, whether he is a threat of not. You got Graham's friends who think that Graham hasn't got the bottle to kill again. You got Ken Stott character who feel threaten by Graham and jumps into the wrong conclusions. It turns out in the end all Graham want is to get his revenge and have a peaceful life. He doesn't want to go back to the life of violence.
I.S.W.I.D. remind me of Hodges' Get Carter but Hodges turn it around and also had a touch of his unknown films like The Terminal Man and A Prayer For The Dying where the central characters is also trying to avoid the violent surrounds, but it still keeps coming back to them.
I know many critics didn't like the film, reckon it didn't have anything to say. They must of watched at the wrong movie, I thought it had a lot to say.
Most of Hodges best films have got a lot to say: Get Carter, Black Rainbow, The Terminal Man (even Flash Gordon). OK, the the majority of his films are slow moving, the good thing about Hodges he brings tension and originally in his films. Also you can watch them again and see something new in them, which you don't get in many films.
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