Obviously had to watch this film for Jack Nicholson. You get the Class A acting you'd expect from him for his performance as McMurphy. We also have a great supporting cast that includes the likes of Christopher Lloyd and a very young Danny DeVito. However, a huge standout is Louise Fletcher as Nurse Ratched.
Now, I didn't know Ratched was from this story. My only prior knowledge to the character was that she was kind of scary. There is definitely some untapped story potential with the character - I'm talking like AHS Asylum level potential. But even so, Fletcher's performance was eerie. As the character always had dominion over everyone in the room, I always felt that Fletcher had a dominating presence every scene on screen. My attention was always on her and she always left me uneasy. This is why Fletcher won her Oscar, I'm sure of it.
This energy from Fletcher's performance provided such a great balance for her scenes with Nicholson - who, as an actor, always had his own dominating presence on screen in any of his movies. But just like their characters, Nicholson / McMurphy always seemed powerless next to Fletcher / Ratched. It was brilliant acting to watch. Their scenes together also contributed the the film's constant tone shift. While McMurphy was high spirited and lively, Ratched was dark and menacing; the movie itself would go back and forth between these energies often within the same scene. It was just a constant fluctuation between hope and despair and I can't think of too many other films or shows that were able to achieve the same effect so effortlessly.
This is definitely a huge aspect of the ending - an ending which shocked me. At the end of the day, this was really a story about Chief told through his growing friendship with McMurphy. That moment when McMurphy returns after his lobotomy was spine chilling. And the way Chief put him out of his misery..... devastating. Chief then escapes and, again with the tone shifts, he runs into the sunset. I guess he's considered free - they both are. But wow. That ending had me thinking for a while. I'm still thinking about. I need to read analyses on it. An absolutely incredible and literal Oscar winning ending.
Now, I didn't know Ratched was from this story. My only prior knowledge to the character was that she was kind of scary. There is definitely some untapped story potential with the character - I'm talking like AHS Asylum level potential. But even so, Fletcher's performance was eerie. As the character always had dominion over everyone in the room, I always felt that Fletcher had a dominating presence every scene on screen. My attention was always on her and she always left me uneasy. This is why Fletcher won her Oscar, I'm sure of it.
This energy from Fletcher's performance provided such a great balance for her scenes with Nicholson - who, as an actor, always had his own dominating presence on screen in any of his movies. But just like their characters, Nicholson / McMurphy always seemed powerless next to Fletcher / Ratched. It was brilliant acting to watch. Their scenes together also contributed the the film's constant tone shift. While McMurphy was high spirited and lively, Ratched was dark and menacing; the movie itself would go back and forth between these energies often within the same scene. It was just a constant fluctuation between hope and despair and I can't think of too many other films or shows that were able to achieve the same effect so effortlessly.
This is definitely a huge aspect of the ending - an ending which shocked me. At the end of the day, this was really a story about Chief told through his growing friendship with McMurphy. That moment when McMurphy returns after his lobotomy was spine chilling. And the way Chief put him out of his misery..... devastating. Chief then escapes and, again with the tone shifts, he runs into the sunset. I guess he's considered free - they both are. But wow. That ending had me thinking for a while. I'm still thinking about. I need to read analyses on it. An absolutely incredible and literal Oscar winning ending.
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