Did you know that Alfred Hitchcock made a film starring Shirley MacLaine and John Forsythe? Did you know he made a broad comedy? Did you know he shot an entire film in Craftsbury, Vermont?! Well, I guess the last one isn't so shocking. And "Mr. and Mrs. Smith", Hitchcock's Carole Lombard-starring screwball comedy from 1941, is quite well-known and liked.
But I'm not talking about "Mr. and Mrs. Smith." I'm talking about the other comedy made by the master of suspense. 1955's "The Trouble With Harry" represented several firsts for Hitchcock -- his first dark comedy, the first film he made after obtaining American citizenship (he had been living and working in the country for 16 years by that point), and the first film he made after commencing production on "Alfred Hitchcock Presents." That series quickly became popular with audiences and was cemented in short order as an American institution,...
But I'm not talking about "Mr. and Mrs. Smith." I'm talking about the other comedy made by the master of suspense. 1955's "The Trouble With Harry" represented several firsts for Hitchcock -- his first dark comedy, the first film he made after obtaining American citizenship (he had been living and working in the country for 16 years by that point), and the first film he made after commencing production on "Alfred Hitchcock Presents." That series quickly became popular with audiences and was cemented in short order as an American institution,...
- 12/24/2023
- by Ryan Coleman
- Slash Film
Jammin’ the Blues by Gjon Mili. Completed in 1944.
Gjon Mili is primarily known for his work as a photographer, particularly his portraits and experimental use of strobe lighting, much of which appeared in Life magazine.
In the book Norman Granz: The Man Who Used Jazz for Justice, author Tad Hershorn goes into great detail in the making and release of the film. After building a career as a photographer in New York City, Mili was flown to Los Angeles by Warner Bros. to see if he would be a good motion picture director. Mili proposed a jazz film to producer Gordon Hollingshead, which the studio moved forward on. Granz, the subject of Hershorn’s book, is listed as the Technical Director of the film in the opening credits (see below).
Jammin’ the Blues was filmed over four days in September 1944, and released that December. There was some controversy surrounding...
Gjon Mili is primarily known for his work as a photographer, particularly his portraits and experimental use of strobe lighting, much of which appeared in Life magazine.
In the book Norman Granz: The Man Who Used Jazz for Justice, author Tad Hershorn goes into great detail in the making and release of the film. After building a career as a photographer in New York City, Mili was flown to Los Angeles by Warner Bros. to see if he would be a good motion picture director. Mili proposed a jazz film to producer Gordon Hollingshead, which the studio moved forward on. Granz, the subject of Hershorn’s book, is listed as the Technical Director of the film in the opening credits (see below).
Jammin’ the Blues was filmed over four days in September 1944, and released that December. There was some controversy surrounding...
- 7/16/2017
- by Mike Everleth
- Underground Film Journal
This week’s Shot by Shot podcast tackles one of the greatest films of all-time.
We’re going all in for the latest episode of Shot by Shot, the official cinematography podcast of One Perfect Shot and Film School Rejects, in which myself and co-host Geoff Todd are talking about a film most consider to be one of the best ever made, and some consider the best ever made: Alfred Hitchcock’s 1958 masterpiece Vertigo, which was shot by Hitch’s most frequent collaborator, Oscar-winning cinematographer Robert Burks.
Vertigo is hands down Hitchcock’s most experimental film, and as a result it boasts the most innovative and nuanced cinematography of the director’s career, including the dolly zoom, a shot so synonymous with the film it was once primarily known as “the Vertigo shot.”
If this is your first listen to our show, the format’s simple: each week Geoff and I each pick a few shots from...
We’re going all in for the latest episode of Shot by Shot, the official cinematography podcast of One Perfect Shot and Film School Rejects, in which myself and co-host Geoff Todd are talking about a film most consider to be one of the best ever made, and some consider the best ever made: Alfred Hitchcock’s 1958 masterpiece Vertigo, which was shot by Hitch’s most frequent collaborator, Oscar-winning cinematographer Robert Burks.
Vertigo is hands down Hitchcock’s most experimental film, and as a result it boasts the most innovative and nuanced cinematography of the director’s career, including the dolly zoom, a shot so synonymous with the film it was once primarily known as “the Vertigo shot.”
If this is your first listen to our show, the format’s simple: each week Geoff and I each pick a few shots from...
- 4/26/2017
- by H. Perry Horton
- FilmSchoolRejects.com
‘Vertigo,’ ‘Free Fire,’ and Much, Much More
This week on the One Perfect Podcast Channel we have a score of great shows coming up.
First off, Matthew Monagle is joined by critic Tomris Laffly to discuss — what else? — Ben Wheatley’s Free Fire starring Brie Larson, Armie Hammer, and Cillian Murphy. If you don’t know the format, Monagle and his guest discuss the film both before and after seeing it, weighing expectations against reality. The result is a review show unlike every other, and one you have to check it out.
Then on Shot by Shot, the cinematography podcast hosted by myself and One Perfect Shot creator Geoff Todd, we’re talking about a film many consider to be the greatest ever made, Alfred Hitchcock’s Vertigo, which was shot by the Master of Suspense’s favorite Dp, the great Robert Burks.
Then there’s Neil Miller’s The Big Idea, the...
This week on the One Perfect Podcast Channel we have a score of great shows coming up.
First off, Matthew Monagle is joined by critic Tomris Laffly to discuss — what else? — Ben Wheatley’s Free Fire starring Brie Larson, Armie Hammer, and Cillian Murphy. If you don’t know the format, Monagle and his guest discuss the film both before and after seeing it, weighing expectations against reality. The result is a review show unlike every other, and one you have to check it out.
Then on Shot by Shot, the cinematography podcast hosted by myself and One Perfect Shot creator Geoff Todd, we’re talking about a film many consider to be the greatest ever made, Alfred Hitchcock’s Vertigo, which was shot by the Master of Suspense’s favorite Dp, the great Robert Burks.
Then there’s Neil Miller’s The Big Idea, the...
- 4/24/2017
- by H. Perry Horton
- FilmSchoolRejects.com
Amy Adams and Steve Carrell also in negotiations.
After a string of blockbuster comedies starring Will Ferrell — Anchorman, The Other Guys, Step Brothers — writer-director Adam McKay side-stepped a little a couple years back with The Big Short, an ensemble flick about the real-life housing bubble collapse of the mid-2000s. The film earned the best reviews of McKay’s well-reviewed career, and wound up with five Oscar nominations, including Best Picture and Best Director, and one win for McKay’s screenplay (with Charles Randolph).
It shouldn’t be surprising then that for his big screen follow-up, McKay would return to the ripped-from-the-headlines genre, this time tackling a biopic of one of the most shadowy and misunderstood figures of this century to-date: Former Vice President Dick Cheney. And the cast he’s building? Start polishing the Oscars.
According to Variety’s sources Bale is on board to play Cheney, while Amy Adams is in talks to play his...
After a string of blockbuster comedies starring Will Ferrell — Anchorman, The Other Guys, Step Brothers — writer-director Adam McKay side-stepped a little a couple years back with The Big Short, an ensemble flick about the real-life housing bubble collapse of the mid-2000s. The film earned the best reviews of McKay’s well-reviewed career, and wound up with five Oscar nominations, including Best Picture and Best Director, and one win for McKay’s screenplay (with Charles Randolph).
It shouldn’t be surprising then that for his big screen follow-up, McKay would return to the ripped-from-the-headlines genre, this time tackling a biopic of one of the most shadowy and misunderstood figures of this century to-date: Former Vice President Dick Cheney. And the cast he’s building? Start polishing the Oscars.
According to Variety’s sources Bale is on board to play Cheney, while Amy Adams is in talks to play his...
- 4/6/2017
- by H. Perry Horton
- FilmSchoolRejects.com
This past weekend, the American Society of Cinematographers awarded Greig Fraser for his contribution to Lion as last year’s greatest accomplishment in the field. Of course, his achievement was just a small sampling of the fantastic work from directors of photography, but it did give us a stronger hint at what may be the winner on Oscar night. Ahead of the ceremony, we have a new video compilation that honors all the past winners in the category at the Academy Awards
Created by Burger Fiction, it spans the stunning silent landmark Sunrise: A Song of Two Humans all the way up to the end of Emmanuel Lubezki‘s three-peat win for The Revenant. Aside from the advancements in color and aspect ration, it’s a thrill to see some of cinema’s most iconic shots side-by-side. However, the best way to experience the evolution of the craft is by...
Created by Burger Fiction, it spans the stunning silent landmark Sunrise: A Song of Two Humans all the way up to the end of Emmanuel Lubezki‘s three-peat win for The Revenant. Aside from the advancements in color and aspect ration, it’s a thrill to see some of cinema’s most iconic shots side-by-side. However, the best way to experience the evolution of the craft is by...
- 2/6/2017
- by Jordan Raup
- The Film Stage
Bogie and Bacall are back, but with Edward G. Robinson's oily gangster breathing down their necks -- "Nyah!" Excellent direction (John Huston) and great performances (Claire Trevor) have made this one an eternal classic. We want subtitles for whatever Eddie whispered in Betty's ear... A most-requested, or demanded, HD release from Warners. Key Largo Blu-ray Warner Archive Collection 1948 / B&W / 1:37 flat Academy / 100 min. / Street Date February 23, 2016 / available through the WBshop / 21.99 Starring Humphrey Bogart, Edward G. Robinson, Lauren Bacall, Lionel Barrymore, Claire Trevor, Thomas Gomez, Harry Lewis, John Rodney, Marc Lawrence, Dan Seymour, Monte Blue, William Haade, Jay Silverheels, Rodd Redwing. Cinematography Karl Freund Film Editor Rudi Fehr Original Music Max Steiner Written by Richard Brooks, John Huston from the play by Maxwell Anderson Produced by Jerry Wald Directed by John Huston
Reviewed by Glenn Erickson
I'd guess that Key Largo became a classic the moment it hit the screen,...
Reviewed by Glenn Erickson
I'd guess that Key Largo became a classic the moment it hit the screen,...
- 2/27/2016
- by Glenn Erickson
- Trailers from Hell
Alfred Hitchcock's true-life saga of a man wrongly accused may be Hitchcock's most troublesome movie -- all the parts work, but does it even begin to come together? Henry Fonda is the 'ordinary victim of fate' and an excellent Vera Miles is haunting as the wife who responds to the guilt and stress by withdrawing from reality. The Wrong Man Blu-ray Warner Archive Collection 1956 / B&W / 1:85 widescreen / 105 min. / Street Date January 26, 2016 / available through the WBshop / 21.99 Starring Henry Fonda, Vera Miles, Anthony Quayle, Harold J. Stone, John Heldabrand, Doreen Lang, Norma Connolly, Lola D'Annunzio, Robert Essen, Dayton Lummis, Charles Cooper, Esther Minciotti, Laurinda Barrett, Nehemiah Persoff. Cinematography Robert Burks Art Direction Paul Sylbert Film Editor George Tomasini Original Music Bernard Herrmann Written by Maxwell Anderson and Angus MacPhail Produced and Directed by Alfred Hitchcock
Reviewed by Glenn Erickson
The Wrong Man sees Alfred Hitchcock at the end of...
Reviewed by Glenn Erickson
The Wrong Man sees Alfred Hitchcock at the end of...
- 1/30/2016
- by Glenn Erickson
- Trailers from Hell
What's it all about, Alfie? The master of suspense goes in an unusual direction with this murder mystery with a Catholic background. And foreground. Actually, it's a regular guidebook for proper priest deportment, and it's so complex that we wonder if Hitchcock himself had a full grip on it. Montgomery Clift is extremely good atop a top-rank cast that includes Anne Baxter and Karl Malden. Rated less exciting by audiences, this is really one of Hitch's best. I Confess Blu-ray Warner Archive Collection 1953 / B&W / 1:37 flat Academy / 94 min. / Street Date February 16, 2016 / available through the WBshop / 17.95 Starring Montgomery Clift, Anne Baxter, Karl Malden, Brian Aherne, Roger Dann, Dolly Haas, Charles Andre, O.E. Hasse. Cinematography Robert Burks Art Direction Edward S. Haworth Film Editor Rudi Fehr Original Music Dimitri Tiomkin Written by George Tabori, William Archibald from a play by Paul Anthelme Produced and Directed by Alfred Hitchcock
Reviewed by Glenn Erickson...
Reviewed by Glenn Erickson...
- 1/24/2016
- by Glenn Erickson
- Trailers from Hell
By Lee Pfeiffer
One of the most rewarding byproducts of reviewing movies for a living is that you will often encounter some prominent gem that somehow managed to escape your attention previously. In certain cases, it's arguable that a film might well be more appreciated many years later than it was during its initial release. Such a case pertains to the 1965 crime drama Once a Thief. Directed by the under-rated Ralph Nelson, the film successfully invokes the mood and atmosphere of the classic black-and-white film noir crime thrillers of the 1940s and 1950s. Although this movie was widely credited as being Alain Delon's first starring role in an English language production, he was among the all-star cast seen the previous year in the big budget Hollywood production of The Yellow Rolls Royce. It is accurate to say, however, that Once a Thief afforded him his first opportunity to be...
One of the most rewarding byproducts of reviewing movies for a living is that you will often encounter some prominent gem that somehow managed to escape your attention previously. In certain cases, it's arguable that a film might well be more appreciated many years later than it was during its initial release. Such a case pertains to the 1965 crime drama Once a Thief. Directed by the under-rated Ralph Nelson, the film successfully invokes the mood and atmosphere of the classic black-and-white film noir crime thrillers of the 1940s and 1950s. Although this movie was widely credited as being Alain Delon's first starring role in an English language production, he was among the all-star cast seen the previous year in the big budget Hollywood production of The Yellow Rolls Royce. It is accurate to say, however, that Once a Thief afforded him his first opportunity to be...
- 5/31/2015
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Grace Kelly is an actress that I haven’t spent nearly enough time with. Thankfully, that will soon change thanks to Warner Bros. Home Entertainment. Here is a portion of the news release …
On July 29, Warner Bros. Home Entertainment (Wbhe) will remember one of Hollywood’s most glamorous film stars with the debut of the Grace Kelly Collection. The Collection includes six of the iconic screen legend’s most popular films. She stars with some of Hollywood’s finest leading men, including Clark Gable, Cary Grant, William Holden, Bing Crosby and Frank Sinatra.
About the Films
Mogambo (1953)
Kelly received her first Academy Award nomination (Best Actress in a Supporting Role) in this remake of 1932’s Red Dust, in which Gable originally starred with Jean Harlow. He stars here with Kelly and the sizzling Ava Gardner, who was also nominated for her performance. Directed by John Ford, and shot on location in Africa,...
On July 29, Warner Bros. Home Entertainment (Wbhe) will remember one of Hollywood’s most glamorous film stars with the debut of the Grace Kelly Collection. The Collection includes six of the iconic screen legend’s most popular films. She stars with some of Hollywood’s finest leading men, including Clark Gable, Cary Grant, William Holden, Bing Crosby and Frank Sinatra.
About the Films
Mogambo (1953)
Kelly received her first Academy Award nomination (Best Actress in a Supporting Role) in this remake of 1932’s Red Dust, in which Gable originally starred with Jean Harlow. He stars here with Kelly and the sizzling Ava Gardner, who was also nominated for her performance. Directed by John Ford, and shot on location in Africa,...
- 7/17/2014
- by Jeff Bayer
- The Scorecard Review
Filmmaker Geoff Todd's Twitter account, @OnePerfectShot, is our new No.1 destination for a daily fix of movie geekiness.
The account's mission is to "honour cinema's past and (hopefully) inspire a new generation of perfect shots" and features stunning stills from classic movies. And Pee-Wee's Big Adventure.
Here are our personal 14 favourite shots:
1. North by Northwest
Perfect shot from North By Northwest (1959) DoP: Robert Burks | Dir: Alfred Hitchcock pic.twitter.com/q67FGcM6m9
— Perfect Shots (@OnePerfectShot) May 5, 2014
2. Badlands
Perfect shot from Badlands (1973) Cinematography:Tak Fujimoto (et al) | Dir:Terrence Malick pic.twitter.com/ufNKGp9EU4
— Perfect Shots (@OnePerfectShot) May 4, 2014
3. Reservoir Dogs
Perfect shot from Reservoir Dogs (1992) DoP: Andrzej Sekula - Dir: Quentin Tarantino pic.twitter.com/Zhrq1QjMK4
— Perfect Shots (@OnePerfectShot) May 4, 2014
4. Psycho
Perfect shot from Psycho (1960) DoP: John L. Russell - Dir: Alfred Hitchcock pic.twitter.com/3XEtsmadki
— Perfect Shots (@OnePerfectShot) May 2, 2014
5. Indiana Jones and the Temple of Doom...
The account's mission is to "honour cinema's past and (hopefully) inspire a new generation of perfect shots" and features stunning stills from classic movies. And Pee-Wee's Big Adventure.
Here are our personal 14 favourite shots:
1. North by Northwest
Perfect shot from North By Northwest (1959) DoP: Robert Burks | Dir: Alfred Hitchcock pic.twitter.com/q67FGcM6m9
— Perfect Shots (@OnePerfectShot) May 5, 2014
2. Badlands
Perfect shot from Badlands (1973) Cinematography:Tak Fujimoto (et al) | Dir:Terrence Malick pic.twitter.com/ufNKGp9EU4
— Perfect Shots (@OnePerfectShot) May 4, 2014
3. Reservoir Dogs
Perfect shot from Reservoir Dogs (1992) DoP: Andrzej Sekula - Dir: Quentin Tarantino pic.twitter.com/Zhrq1QjMK4
— Perfect Shots (@OnePerfectShot) May 4, 2014
4. Psycho
Perfect shot from Psycho (1960) DoP: John L. Russell - Dir: Alfred Hitchcock pic.twitter.com/3XEtsmadki
— Perfect Shots (@OnePerfectShot) May 2, 2014
5. Indiana Jones and the Temple of Doom...
- 5/6/2014
- Digital Spy
The suspense of Cary Grant's unflappable businessman on the run from a low-flying plane is the stand-out moment in Hitchcock's stand-out thriller
• More on North by Northwest
• More from Why I Love …
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Hitchcock's 1959 classic was ahead of its time in many ways, but the tense few moments in which suave ad executive Roger Thornhill (played by Cary Grant) is terrorised by a murderous crop-dusting pilot is the film's biggest triumph. It is also one of the most emulated action sequences in Hollywood history. It's been parodied by everything from The Simpsons to Metallica.
The scene begins when Thornhill, a New Yorker caught up in a life-threatening case of mistaken identity, arrives at an isolated rendezvous point in rural Indiana to meet the man for whom he has been mistaken. He steps off the bus and on to a gritty, lonesome highway...
• More on North by Northwest
• More from Why I Love …
Reading this on mobile? Click here to view
Hitchcock's 1959 classic was ahead of its time in many ways, but the tense few moments in which suave ad executive Roger Thornhill (played by Cary Grant) is terrorised by a murderous crop-dusting pilot is the film's biggest triumph. It is also one of the most emulated action sequences in Hollywood history. It's been parodied by everything from The Simpsons to Metallica.
The scene begins when Thornhill, a New Yorker caught up in a life-threatening case of mistaken identity, arrives at an isolated rendezvous point in rural Indiana to meet the man for whom he has been mistaken. He steps off the bus and on to a gritty, lonesome highway...
- 9/30/2013
- by Tola Onanuga
- The Guardian - Film News
All great movies must be seen at least twice to understand how great they are. That is true in spades for Alfred Hitchcock’s 1958 thriller Vertigo. The story is smart the first time through but it’s brilliant the second time through. Just last year, Sight and Sound named Vertigo in it’s ‘Critics’ Top 10 Greatest Films of All Time’ list, clocking in at an astonishing number 1! That was a huge surprise (heck, it only came in #8 in our ‘Top Ten Tuesday – The Best of Alfred Hitchcock’ article published in March of 2012 – read the complete article Here) but lucky St. Louisans will have the chance to reassess (or experience for the first time) Vertigo when it plays on the big screen at the Tivoli midnights this weekend as part of their ‘Reel Late at the Tivoli’ series.
Alfred Hitchcock and James Stewart reunited after the success of Rear Window to...
Alfred Hitchcock and James Stewart reunited after the success of Rear Window to...
- 8/26/2013
- by Tom Stockman
- WeAreMovieGeeks.com
I've only written about Alfred Hitchcock's immortal Vertigo (1958) once for an episode of the old series "May Flowers" so I thought I'd dig up that old piece now that Vertigo is in the news having been named "The Greatest Film" by Sight & Sound. I always think of Vertigo as an early summer movie. What other movie besides its closest descendants Robert Altman's Three Women and David Lynch's Mulholland Drive feel more ruled by twin sign Gemini? Hitchcock films generally deserve complete dissertations but we don't have Scottie Ferguson's (Jimmy Stewart) stamina when it comes to fetishizing doppelgangers. So today let's merely glance back at his introductions to Madeleine/Judy (Kim Novak).
Ferguson has been hired to follow Madeleine and as he first spots her in a deep rose red restaurant. [Click here to open a panoramic shot in a new window]. Hitchock slow zooms out from Scottie (far right) at the bar and pans left, following his gaze,...
Ferguson has been hired to follow Madeleine and as he first spots her in a deep rose red restaurant. [Click here to open a panoramic shot in a new window]. Hitchock slow zooms out from Scottie (far right) at the bar and pans left, following his gaze,...
- 8/5/2012
- by NATHANIEL R
- FilmExperience
John Wayne’s Hondo might have been the first major studio picture from the 3-D era of the 1950s to come to home video, but today’s welcome Blu-ray release from Paramount is in conventional 2-D. Too bad. Paramount trumpets the fact that it’s in widescreen for the first time, which is true. According to Bob Furmanek of the 3-D Film Archive, “Warner Bros., as a matter of studio policy, went 100% widescreen in May of 1953. When Hondo began shooting in Camargo, Mexico on June 11, director John Farrow and cinematographers Robert Burks and Archie Stout were composing for 1.85:1. It has not been seen in widescreen since the original theatrical release.” In any...
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- 6/5/2012
- by Leonard Maltin
- Leonard Maltin's Movie Crazy
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In 1958 Paramount released Vertigo, Alfred Hitchcock’s disturbing tale of death and obsession, love and loneliness. Receiving only average reviews on its release, Vertigo is now hailed as a cinematic masterpiece. Hitchcock’s direction, Bernard Hermann’s score and Robert Burks’ cinematography are particularly praised. Less often celebrated, argues art critic Iris Veysey, is Edith Head’s costume design.
Head’s work, particularly in dressing Kim Novak, helped to ground characters and signpost the narrative in a complex and convoluted plot. Dressing Novak in the dual role of Madeleine/Judy, Head’s designs successfully define two distinct characters, one polished and sophisticated, the other brassy and cheap.
Madeleine is introduced as a wealthy shipping heiress and wife of Gavin Elster. Accordingly, her clothes have the sheen of luxury. From a...
In 1958 Paramount released Vertigo, Alfred Hitchcock’s disturbing tale of death and obsession, love and loneliness. Receiving only average reviews on its release, Vertigo is now hailed as a cinematic masterpiece. Hitchcock’s direction, Bernard Hermann’s score and Robert Burks’ cinematography are particularly praised. Less often celebrated, argues art critic Iris Veysey, is Edith Head’s costume design.
Head’s work, particularly in dressing Kim Novak, helped to ground characters and signpost the narrative in a complex and convoluted plot. Dressing Novak in the dual role of Madeleine/Judy, Head’s designs successfully define two distinct characters, one polished and sophisticated, the other brassy and cheap.
Madeleine is introduced as a wealthy shipping heiress and wife of Gavin Elster. Accordingly, her clothes have the sheen of luxury. From a...
- 4/10/2012
- by Contributor
- Clothes on Film
Toby Jones as Alfred Hitchcock, Sienna Miller as Tippi Hedren, The Girl The Girl is a BBC biopic about Alfred Hitchcock's Svengali-like relationship with Tippi Hedren, the star of the director's seminal The Birds (1963) and the box-office and critical flop Marnie (1964). Toby Jones, next to be seen in The Hunger Games and Snow White and the Huntsman, plays Hitchcock, while Stardust / Factory Girl's Sienna Miller (also known as one of dozens of phone-hacking victims of Rupert Murdoch's tabloid The News of the World) plays Hedren. According to the 82-year-old Hedren — a The Girl consultant, mother of Melanie Griffith, and avid supporter of animal welfare — her career went downhill after Marnie because of Hitchcock, who, Hedren claims, was spurned by her. Hedren told the Daily Mail that Hitchcock, who discovered her in the early '60s while she was between marriages, "wanted to possess me completely. There were...
- 3/21/2012
- by Andre Soares
- Alt Film Guide
Blu-ray Release Date: March 6, 2012
Price: Blu-ray $15.00
Studio: Paramount Home Entertainment
The Blu-ray debut of Alfred Hitchcock’s 1955 Oscar-winning film To Catch a Thief, starring Cary Grant (An Affair To Remember) and Grace Kelly (Rear Window), boasts 90 minutes of bonus materials, but none of it is new.
But who needs new special features, when we can have this classic in high-definition?
In the romance movie, Grant plays John Robie, a retired cat burglar living the high-life on the Riviera. When a series of copy cat crimes are committed and fingers start pointing his way, he must uncover the real thief to prove his own innocence. Things get complicated when Robie falls for Frances Stevens (Kelly), an heiress whose mother (Jessie Royce Landis, North By Northwest) was a victim of the copy cat thief.
To Catch a Thief won its Academy Award for Robert Burks’ cinematography, but the mystery film also was...
Price: Blu-ray $15.00
Studio: Paramount Home Entertainment
The Blu-ray debut of Alfred Hitchcock’s 1955 Oscar-winning film To Catch a Thief, starring Cary Grant (An Affair To Remember) and Grace Kelly (Rear Window), boasts 90 minutes of bonus materials, but none of it is new.
But who needs new special features, when we can have this classic in high-definition?
In the romance movie, Grant plays John Robie, a retired cat burglar living the high-life on the Riviera. When a series of copy cat crimes are committed and fingers start pointing his way, he must uncover the real thief to prove his own innocence. Things get complicated when Robie falls for Frances Stevens (Kelly), an heiress whose mother (Jessie Royce Landis, North By Northwest) was a victim of the copy cat thief.
To Catch a Thief won its Academy Award for Robert Burks’ cinematography, but the mystery film also was...
- 12/23/2011
- by Sam
- Disc Dish
Masterclass: Barry Ackroyd
“The most peaceful place you can be on a film set is when you put your eye to the camera.”
On Monday night at the BFI, British cinematographer Barry Ackroyd talked to Screen International Editor Mike Goodridge about his 30 years in film and TV. It’s a shame there wasn’t a full house in NFT3 and that I had to sit at an uncomfortable 45-degree angle to see the discussion. The good news was that Ackroyd’s eloquence matches his skills behind the camera and he sounded like a poet as he alluded to the “flow” of his work.
If there’s one word you probably wouldn’t use in association with Ackroyd’s recent films it’s peaceful. This is the guy who shot Ralph Fiennes’s Balkan-set Coriolanus, Kathryn Bigelow’s The Hurt Locker and United 93. Given his talent for depicting war zones,...
“The most peaceful place you can be on a film set is when you put your eye to the camera.”
On Monday night at the BFI, British cinematographer Barry Ackroyd talked to Screen International Editor Mike Goodridge about his 30 years in film and TV. It’s a shame there wasn’t a full house in NFT3 and that I had to sit at an uncomfortable 45-degree angle to see the discussion. The good news was that Ackroyd’s eloquence matches his skills behind the camera and he sounded like a poet as he alluded to the “flow” of his work.
If there’s one word you probably wouldn’t use in association with Ackroyd’s recent films it’s peaceful. This is the guy who shot Ralph Fiennes’s Balkan-set Coriolanus, Kathryn Bigelow’s The Hurt Locker and United 93. Given his talent for depicting war zones,...
- 10/20/2011
- by Susannah
- SoundOnSight
Montgomery Clift, I Confess Alfred Hitchcock is the focus of tonight's programming on Turner Classic Movies, which will be showing five of the director's films: Stage Fright, I Confess, Dial M for Murder, The Wrong Man, and Strangers on a Train. None of them is a masterpiece; all of them are worth your time. My favorite of the five is I Confess, partly because of its intriguing plot about a murderer who confesses his crime to a priest who later becomes the chief suspect in the case; and partly because Montgomery Clift is quite good as the tormented priest. Anne Baxter is his leading lady. However flawed, I find both Stage Fright and Dial M for Murder enjoyable. The former is immensely helped by Alastair Sim's performance, though Jane Wyman does solid work as the heroine while Marlene Dietrich gets to sing a song or two. In Dial M for Murder,...
- 6/28/2011
- by Andre Soares
- Alt Film Guide
It takes a bold designer to take on the iconography of Alfred Hitchcock. Between his own sensibilities and collaborations with designers like Saul Bass and cinematographer Robert Burks, Hitchcock's films have some of the most memorable images in the mainstream film canon. So here comes graphic designer Laz Marquez with a series of four poster designs for classic Hitchcock films -- Psycho, The Birds, Vertigo and Rear Window -- that look like they'd fit right in with each movie's original material campaign. See 'em larger after the break. Marquez did the first poster in this series, The Birds, on sort of a lark (har, har), then followed through with the other three based on extensive interest from fans. Here's what he had to say about the series as he published the final entry, Psycho: Since I've started this project, I've had such an amazing time taking each piece of...
- 3/12/2010
- by Russ Fischer
- Slash Film
One of the most visually stunning, action packed, clever and suspenseful of all Alfred Hitchcock movies, his 1959 masterpiece North By Northwest finally gets the Blu-ray treatment it deserves. Featuring a terrific remastering with lots of great supplemental material and beautiful packaging the movie really shines and Warner Bros. has clearly pulled out all the tops to bring this classic film to a new generation of audiences.
Just in case you’re not familiar with this Hitchcock masterpiece, it stars Cary Grant, Eva Marie Saint, James Mason and a young Martin Landau in a story featuring one of Hitchcock’s signature conceits: the wrong man. Grant’s Roger Thornhill, mistaken for superspy George Kaplan by a group of sinister agents led by James Mason’s Phillip Vandamm, is taken to a county house, forceably intoxicated and almost murdered. He barely manages to escape with his life, mostly due to his high...
Just in case you’re not familiar with this Hitchcock masterpiece, it stars Cary Grant, Eva Marie Saint, James Mason and a young Martin Landau in a story featuring one of Hitchcock’s signature conceits: the wrong man. Grant’s Roger Thornhill, mistaken for superspy George Kaplan by a group of sinister agents led by James Mason’s Phillip Vandamm, is taken to a county house, forceably intoxicated and almost murdered. He barely manages to escape with his life, mostly due to his high...
- 11/26/2009
- by Chris Ullrich
- The Flickcast
Every Sunday, Film School Rejects presents a movie that was made before you were born and tells you why you should like it. This week, Old Ass Movies presents: North By Northwest (1959) I swore when I started this column that I would do my best to protect you, the dear reader, from my incessant love of Alfred Hitchcock and his films. I've probably failed at this considering that I've still covered a lot of his movies, but with the release of North By Northwest on Blu-ray and the fact that it's my favorite Hitchcock film, I can't avoid it any longer. Everything about this movie is beyond perfection. Roger O. Thornhill (Cary Grant) is mistaken by a group of spies for a CIA agent who may have committed murder. While searching for the real agent, Thornhill meets Eve Kendall (Eva Marie Saint) who both protects him and gets him deeper into trouble. For...
- 11/9/2009
- by Dr. Cole Abaius
- FilmSchoolRejects.com
For the finale of May Flowers I thought we should gaze at Alfred Hitchcock's immortal Vertigo(1958). Aside from Vertigo descendants like Robert Altman's Three Women or David Lynch's Mulholland Drive what film is more appropriate for this time of year when we're ruled by twin sign Gemini? Hitchcock films generally deserve complete dissertations but we don't have Scottie Ferguson's (Jimmy Stewart) stamina when it comes to fetishizing doppelgangers. So in the space of this blogpost we merely glance at his introductions to Madeleine/Judy (Kim Novak).
Ferguson has been hired to follow Madeleine and as he first spots her in the deep rose red restaurant, Hitchock slow zooms out from Scottie (far right) at the bar and pans left, following his gaze, into the dining area filled with flowers and well heeled customers and even a painting of a floral arrangement framed by floral arrangements before it finally stops at Madeleine (tiny,...
Ferguson has been hired to follow Madeleine and as he first spots her in the deep rose red restaurant, Hitchock slow zooms out from Scottie (far right) at the bar and pans left, following his gaze, into the dining area filled with flowers and well heeled customers and even a painting of a floral arrangement framed by floral arrangements before it finally stops at Madeleine (tiny,...
- 5/31/2009
- by NATHANIEL R
- FilmExperience
Paramount Pictures ends its tour of the 1950s, for now anyway, with the Centennial Collection edition of Alfred Hitchcock’s To Catch a Thief. Considered a minor work for the director, it actually holds up exceptionally well through the years and the restored print for the DVD, out now, is marvelous. Being the only Hitchcock film that Paramount still has rights to, this is a welcome part of the celebration.
Hitchcock’s 1955 film, based on David Dodge’s 1952 novel, stars Cary Grant and Grace Kelly and was filmed in location in Europe. This was the first of his films shot in Paramount’s VistaVision, a process similar to Cinemascope and used to compete against television for audiences. Despite the arduous process to shoot, he went on to use it five times but the first proved challenging, not that you can tell in the finished product.
John Robie (Grant) is a...
Hitchcock’s 1955 film, based on David Dodge’s 1952 novel, stars Cary Grant and Grace Kelly and was filmed in location in Europe. This was the first of his films shot in Paramount’s VistaVision, a process similar to Cinemascope and used to compete against television for audiences. Despite the arduous process to shoot, he went on to use it five times but the first proved challenging, not that you can tell in the finished product.
John Robie (Grant) is a...
- 4/2/2009
- by Robert Greenberger
- Comicmix.com
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