Blade Runner belongs on a list of 2 or 3 movies that had me walking out of the theater in a stupor as though hit by a sledgehammer, the first time I saw it. It fulfills one of my requirements of great films in that I walked out of the theater a different person than when I entered. And it fulfilled another requirement in that it improved with repeated viewings.
There is so much to take in visually, intellectually, and emotionally that my mind was overwhelmed at the first viewing trying to sort it all out. Unlike the so-called "entertainment" we get today at the movies, this film didn't spoonfeed its meaning to you. It left the ending ambiguous so your imagination has to supply it.
The film demands discussion. There are so many topics to debate. Is Deckard a replicant? Do Deckard and Rachel live happily ever after? Why is there a unicorn in the director's cut? Is Deckard a hero? Or are the replicants really the good guys? Every time I watch it, my answers change.
I may be one of the few that really likes the original. Probably because I've seen that version a couple dozen times since 1982 before the director's cut came out. This may contradict what I said earlier about being spoonfed, but I liked the narration because it explained what was going on in Deckard's mind. And I didn't mind the "happy ending" because it still implied that their troubles may not be over. "I don't know how long we had together. Who does?" But with that version memorized, I now appreciate the directors cut. It probably has the better ending. (At least I think so until I view it again!)
It's also fun watching actors before they became more famous later like Sean Young, Daryl Hannah, M. Emmet Walsh, William Sanderson, and Edward James Olmos. I think they all did a great job. And Vangelis did a beautiful, moving score.
After "Blade Runner", most of the big blockbuster science fiction movies boil down to good guys vs. bad guys with lots of loud explosions and in-your-face effects. Very simplistic messages, if any. That's why I still contend that an "oldie" like Blade Runner still outshines them all. It has incredible special effects, but never at the expense of the story. The cityscapes do more than dazzle you, they involve you.
The more I think of it, the more I realize that "Blade Runner" is not only my favorite science fiction movie, but one of my favorite films in any genre. I wish Ridley Scott would return to science fiction, but then again today's Hollywood would never release a movie like "Blade Runner."
There is so much to take in visually, intellectually, and emotionally that my mind was overwhelmed at the first viewing trying to sort it all out. Unlike the so-called "entertainment" we get today at the movies, this film didn't spoonfeed its meaning to you. It left the ending ambiguous so your imagination has to supply it.
The film demands discussion. There are so many topics to debate. Is Deckard a replicant? Do Deckard and Rachel live happily ever after? Why is there a unicorn in the director's cut? Is Deckard a hero? Or are the replicants really the good guys? Every time I watch it, my answers change.
I may be one of the few that really likes the original. Probably because I've seen that version a couple dozen times since 1982 before the director's cut came out. This may contradict what I said earlier about being spoonfed, but I liked the narration because it explained what was going on in Deckard's mind. And I didn't mind the "happy ending" because it still implied that their troubles may not be over. "I don't know how long we had together. Who does?" But with that version memorized, I now appreciate the directors cut. It probably has the better ending. (At least I think so until I view it again!)
It's also fun watching actors before they became more famous later like Sean Young, Daryl Hannah, M. Emmet Walsh, William Sanderson, and Edward James Olmos. I think they all did a great job. And Vangelis did a beautiful, moving score.
After "Blade Runner", most of the big blockbuster science fiction movies boil down to good guys vs. bad guys with lots of loud explosions and in-your-face effects. Very simplistic messages, if any. That's why I still contend that an "oldie" like Blade Runner still outshines them all. It has incredible special effects, but never at the expense of the story. The cityscapes do more than dazzle you, they involve you.
The more I think of it, the more I realize that "Blade Runner" is not only my favorite science fiction movie, but one of my favorite films in any genre. I wish Ridley Scott would return to science fiction, but then again today's Hollywood would never release a movie like "Blade Runner."