Although admittedly it has a great deal of charm, by Lloyd's high standards Dr Jack could be reckoned as a weak, sentimental and even overloaded comedy. The characters are strictly pasteboard figures: the ever-smiling Dr Jack, all goodhearted (albeit often ingenious and innovative) helpfulness; the one-dimensionally villainous specialist, all thoroughly self-centered pomposity; the heroine, a Sleeping Beauty of repressed energy and vivacity; her dad, a well-and-truly stupid thickhead; and a supporting gallery of minor bumpkins and rustics. And all of them dancing to a frenetic, rather familiar tune (though, as mentioned, it does have its deft moments and clever touches), culminating in a self-chasing climax which clearly out-stays its welcome.
In its favor, however, the movie does provide Mildred Davis with one of her best roles. Miss Davis rarely received a chance to display any histrionic ability. Her supine heroines were mostly purely decorative. Here, however, she has an opportunity to play a character not a cipher, and she rises to the bait magnificently.
In its favor, however, the movie does provide Mildred Davis with one of her best roles. Miss Davis rarely received a chance to display any histrionic ability. Her supine heroines were mostly purely decorative. Here, however, she has an opportunity to play a character not a cipher, and she rises to the bait magnificently.