Rituparno Ghosh's The Last Lear is an artistic though slightly simplistic work. I did not really like the film being in English but obviously it wouldn't have been possible in Hindi or Bengali, considering it's about a Shakespearean actor. The story is interesting, and the idea of taking an old, Shakespearean theatre actor (Bachchan) and casting him in a motion picture is intelligent. Not less impressive is that despite the film being entirely about Bachchan, all the other characters are well-written. Every character is portrayed as a struggling person. In his way to become a film actor, we meet several characters through Bachchan's Harry: his co-star, Shabnam (Zinta), a model-turned-actress who does not know how to act and what to do with her film career, and who has problems with her jealous husband; Siddharth (Rampal), an arrogant independent filmmaker; Vandana (Shah), Bachchan's mistress (double-meaning); and his confused nurse, played by Divya Dutta. I think the film was well written, although it does become a bit slow at times. Harry's character is wonderful - an artist who insists to work on his own artistic terms. I liked Bachchan's scenes, I liked the scenes of the three women who have a nice evening on the day of the film's release, I liked the scenes of Bachchan and Zinta together, their conversations about what acting is.
Bachchan is extraordinary - one of his finest and most difficult performances ever. He is intense, generous, impulsive, and his English line delivery is spectacular. The film belongs to him completely, although the rest of the cast do a good job. Preity Zinta is extremely vulnerable as Shabnam. She lets go of her bubbly, vivacious image completely, and is portrayed as a very conflicted woman throughout. Although she gives a fine performance, I don't find it up to the level of her work in her commercial films - I generally prefer her in roles of vibrant and strong women who are full of life. Anyway, I liked the scenes in which she smoke anxiously, I liked the scene in which Bachchan teaches her how to release tensions by screaming, and she breaks down (this scene has appeared several times in different films), and she was particularly impressive in the film's last scene. Shefali Shah turns in a brilliant, exceptional performance, not that I expected any less from her. Arjun Rampal and Divya Dutta are very good as well. I knew from the very beginning that this film would not work for the wide audience, it's a film for people who like artistic films and festival stuff. This is not a particularly entertaining film, but I enjoyed it mainly due to Bachchan's performance.
Bachchan is extraordinary - one of his finest and most difficult performances ever. He is intense, generous, impulsive, and his English line delivery is spectacular. The film belongs to him completely, although the rest of the cast do a good job. Preity Zinta is extremely vulnerable as Shabnam. She lets go of her bubbly, vivacious image completely, and is portrayed as a very conflicted woman throughout. Although she gives a fine performance, I don't find it up to the level of her work in her commercial films - I generally prefer her in roles of vibrant and strong women who are full of life. Anyway, I liked the scenes in which she smoke anxiously, I liked the scene in which Bachchan teaches her how to release tensions by screaming, and she breaks down (this scene has appeared several times in different films), and she was particularly impressive in the film's last scene. Shefali Shah turns in a brilliant, exceptional performance, not that I expected any less from her. Arjun Rampal and Divya Dutta are very good as well. I knew from the very beginning that this film would not work for the wide audience, it's a film for people who like artistic films and festival stuff. This is not a particularly entertaining film, but I enjoyed it mainly due to Bachchan's performance.
