“I’m Nevenka,” a Movistar Plus+ original film and the awaited next feature from Spain’s Iciar Bollaín, has closed its earliest pre-sales, struck by Film Factory Entertainment, including a bellwether deal in France.
The deals come as “I’m Nevenka” has wrapped production, shooting in the Basque city of Bilbao before transferring to rural Zamora, western Spain.
Daniel Chabannes’ Epicentre Films, a classic 30-year-old distributor and producer of non-English language art pics, especially from Europe and Latin America, whose recent acquisitions take in San Sebastian Gold Shell winner “The Rye Horn” and Amos Gitai’s “It’s Not Over,” has acquired French rights.
A distributor of both big Cannes winners – “Triangle of Sadness,” “Rosetta,” “The Child” – and slightly more out-there propositions, such as Pablo Berger’s silent movie “Blancanieves,” Xenix Film Distribution has clinched rights to Switzerland.
Iciar Bollaín: A Broader Audience Auteur
The early pre-sales are hardly surprising. Since her big breakout,...
The deals come as “I’m Nevenka” has wrapped production, shooting in the Basque city of Bilbao before transferring to rural Zamora, western Spain.
Daniel Chabannes’ Epicentre Films, a classic 30-year-old distributor and producer of non-English language art pics, especially from Europe and Latin America, whose recent acquisitions take in San Sebastian Gold Shell winner “The Rye Horn” and Amos Gitai’s “It’s Not Over,” has acquired French rights.
A distributor of both big Cannes winners – “Triangle of Sadness,” “Rosetta,” “The Child” – and slightly more out-there propositions, such as Pablo Berger’s silent movie “Blancanieves,” Xenix Film Distribution has clinched rights to Switzerland.
Iciar Bollaín: A Broader Audience Auteur
The early pre-sales are hardly surprising. Since her big breakout,...
- 4/3/2024
- by Pablo Sandoval and John Hopewell
- Variety Film + TV
Malaga, Spain — “The Chapel,” from “Piggy” director Carlota Pereda, Celia Rico’s competition title “Little Loves,” loved by a lot of critics, and “Free Falling,” produced by “Society of the Snow’s” J.A. Bayona and that film’s producer Belén Atienza, looked like three of the hottest tickets at this week’s Malaga market and Spanish Screenings which rated as the most upbeat in years.
Most all sales agents on the films – focusing on titles from Spain and Latin America – whose ranks are now swelled by Antonia Nava’s Neo Art International, forecast or saw deal traction on more than one title or a broad slate of films.
“Malaga was great for our movies,” said Latido Films’ Antonio Saura.
“For us, it’s been the best Spanish Screenings of the last years,” reported Luis Recart at Bendita Film Sales.
Why of course is another matter. 10 takeaways on a Spanish bull market,...
Most all sales agents on the films – focusing on titles from Spain and Latin America – whose ranks are now swelled by Antonia Nava’s Neo Art International, forecast or saw deal traction on more than one title or a broad slate of films.
“Malaga was great for our movies,” said Latido Films’ Antonio Saura.
“For us, it’s been the best Spanish Screenings of the last years,” reported Luis Recart at Bendita Film Sales.
Why of course is another matter. 10 takeaways on a Spanish bull market,...
- 3/8/2024
- by John Hopewell and Ed Meza
- Variety Film + TV
In her feature film debut, “As Neves,” writer-director Sonia Méndez follows a group of teenagers in a Galician village struggling with the disappearance of a friend following a drug-fueled party and heavy snowfall that has cut off Internet access, complicating the search.
Speaking to Variety, Méndez says she was eager to explore a number of elements in the film, namely the youth of today, which she describes as the most hyper-connected generation, and the often violent transition to adulthood.
“As Neves” screens in competition at the Malaga Film Festival.
Having experienced adolescence in the 1990s and belonging to the last generation caught between the analog and digital worlds, Méndez was fascinated by the “coexistence of both paradigms,” particularly among teenagers who live in such isolated areas as the mountain village of As Neves but are nevertheless always online, “which is very common in Galicia.”
Méndez points out, however, that the...
Speaking to Variety, Méndez says she was eager to explore a number of elements in the film, namely the youth of today, which she describes as the most hyper-connected generation, and the often violent transition to adulthood.
“As Neves” screens in competition at the Malaga Film Festival.
Having experienced adolescence in the 1990s and belonging to the last generation caught between the analog and digital worlds, Méndez was fascinated by the “coexistence of both paradigms,” particularly among teenagers who live in such isolated areas as the mountain village of As Neves but are nevertheless always online, “which is very common in Galicia.”
Méndez points out, however, that the...
- 3/6/2024
- by Ed Meza
- Variety Film + TV
Malaga — Antonio Chavarrías’ “Holy Mother,” Celia Rico’s “Little Loves” and Diogo Viegas’s “Alice’s Diary” play at this year’s 3rd Spanish Screenings Content, the Malaga Festival’s part of the Spanish Screenings Xxl, Spain’s biggest international industry platform in its history, featuring over March 4-7 and – when it comes to Málaga – the monumental number of 222 titles.
In production volume, Spain has never had it so good. The market screenings at Malaga’s Rosaleda Multiplex range across over 80 Spanish movie titles, taking in recent past gems such as “The Girls Are All Right, “Something Is About to Happen,” “Jokes & Cigarettes and “The Chapel,” just to mention titles on Monday’s program.
Also on offer are 11 Works in Progress, 62 Film Library titles and 65 shorts.
The Screenings come at a propitious time in many ways for Spanish cinema. Two Spanish movies – J.A. Bayona’s Andean air crash disaster...
In production volume, Spain has never had it so good. The market screenings at Malaga’s Rosaleda Multiplex range across over 80 Spanish movie titles, taking in recent past gems such as “The Girls Are All Right, “Something Is About to Happen,” “Jokes & Cigarettes and “The Chapel,” just to mention titles on Monday’s program.
Also on offer are 11 Works in Progress, 62 Film Library titles and 65 shorts.
The Screenings come at a propitious time in many ways for Spanish cinema. Two Spanish movies – J.A. Bayona’s Andean air crash disaster...
- 3/3/2024
- by John Hopewell
- Variety Film + TV
Jean Labadie’s Le Pacte and sales agency Film Factory have joined Spanish pay giant Movistar Plus on the next film from Alberto Rodríguez (“Marshland”), which is shaping up fast with as one of the biggest packages from Spain this year at the Berlinale’s European Film Market.
Le Pacte will co-produce the thriller out of France and handle French distribution rights. Film Factory is launching international sales at Berlin. Movistar Plus, co-producing out of Spain with Kowalski Films and Feelgood Media, will bring the deepest pocket of any production powerhouse in Spain, backing what looks like a potentially big-budgeted movie.
Currently in pre-production, Rodríguez’s latest is scheduled for release in Spanish theaters via Buena Vista Intl. in 2025.
The film is also the latest from one of the most prominent Spanish directors of his generation, co-writer-director of both “The Plague,” still one of Movistar Plus+ biggest series, and “Prison 77,...
Le Pacte will co-produce the thriller out of France and handle French distribution rights. Film Factory is launching international sales at Berlin. Movistar Plus, co-producing out of Spain with Kowalski Films and Feelgood Media, will bring the deepest pocket of any production powerhouse in Spain, backing what looks like a potentially big-budgeted movie.
Currently in pre-production, Rodríguez’s latest is scheduled for release in Spanish theaters via Buena Vista Intl. in 2025.
The film is also the latest from one of the most prominent Spanish directors of his generation, co-writer-director of both “The Plague,” still one of Movistar Plus+ biggest series, and “Prison 77,...
- 2/18/2024
- by John Hopewell
- Variety Film + TV
Telefonica’s Movistar Plus+, Spain’s biggest pay TV-svod operator, is set to co-produce new movies from Rodrigo Sorogoyen, Iciar Bollaín, Alberto Rodríguez, Óliver Laxe and Ana Rujas. It’s a move which sees the high-end Spanish TV powerhouse become one of Spain’s most significant movie players.
Titles in the slate are backed by top Spanish producers such as Agustín Almodóvar and Esther García at El Deseo – backing Laxe’s next – and Javier Ambrossi and Javier Calvo at their high-flying new production house Suma Content, producing what will be Rujas’ debut feature as a director.
The acclaimed “La Mesías,” the latest series from Los Javis – as Ambrossi and Calvo are known – will have its international premiere at the Sundance Film Festival, where it will the only European series at this year’s event.
In a fillip for Spain’s box office, still 26% down on pre-pandemic levels, Movistar Plus+ will...
Titles in the slate are backed by top Spanish producers such as Agustín Almodóvar and Esther García at El Deseo – backing Laxe’s next – and Javier Ambrossi and Javier Calvo at their high-flying new production house Suma Content, producing what will be Rujas’ debut feature as a director.
The acclaimed “La Mesías,” the latest series from Los Javis – as Ambrossi and Calvo are known – will have its international premiere at the Sundance Film Festival, where it will the only European series at this year’s event.
In a fillip for Spain’s box office, still 26% down on pre-pandemic levels, Movistar Plus+ will...
- 1/18/2024
- by John Hopewell
- Variety Film + TV
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Asteroid City (Wes Anderson)
Wes Anderson has done it all: India by train, Rhode Island by foot, the Mediterranean by sub, France by bike, faux-Germany by hotel, apple-orchard America by fox, animated Japan by dog, motel Texas by friends, New York City by family. But––despite the feeling that this couldn’t possibly be true––he’s never told a story in western America. In setting he hasn’t gone further west than Houston. Until Asteroid City: Arizona desert by quarantine. – Luke H. (full review)
Where to Stream: Peacock
Beatrix (Lilith Kraxner & Milena Czernovsky)
One of the best films in recent years––still without U.S. distribution––is streaming for free the next two weeks on Le Cinéma Club. It...
Asteroid City (Wes Anderson)
Wes Anderson has done it all: India by train, Rhode Island by foot, the Mediterranean by sub, France by bike, faux-Germany by hotel, apple-orchard America by fox, animated Japan by dog, motel Texas by friends, New York City by family. But––despite the feeling that this couldn’t possibly be true––he’s never told a story in western America. In setting he hasn’t gone further west than Houston. Until Asteroid City: Arizona desert by quarantine. – Luke H. (full review)
Where to Stream: Peacock
Beatrix (Lilith Kraxner & Milena Czernovsky)
One of the best films in recent years––still without U.S. distribution––is streaming for free the next two weeks on Le Cinéma Club. It...
- 8/11/2023
- by Jordan Raup
- The Film Stage
New projects from Cherien Dabis, Anders Thomas Jensen and Ameer Fakher Eldin have also been awarded
Ariane Labed’s feature-directing debut Sisters is among the 33 projects to receive funding from Eurimages second wave of 2023 co-production funding.
The French-Greek actor’s feature directing debut received €350,000 from the €9.7m pot. The Ireland, UK, Germany and Greece co-production is produced by Ireland’s Element Pictures. An English-language adaptation of Daisy Johnson’s gothic novel of the same name it follows two sisters who move to the countryside with their maniac depressive mother. Labed previously directed short film Olla which won three awards at...
Ariane Labed’s feature-directing debut Sisters is among the 33 projects to receive funding from Eurimages second wave of 2023 co-production funding.
The French-Greek actor’s feature directing debut received €350,000 from the €9.7m pot. The Ireland, UK, Germany and Greece co-production is produced by Ireland’s Element Pictures. An English-language adaptation of Daisy Johnson’s gothic novel of the same name it follows two sisters who move to the countryside with their maniac depressive mother. Labed previously directed short film Olla which won three awards at...
- 7/4/2023
- by Ellie Calnan
- ScreenDaily
Galician language film is sold by Europe Film Sales.
Berlinale Panorama title Matria, the feature-debut of Spanish director Álvaro Gago, a Screen Star of Tomorrow, has sold to France.
French distributor Les Alquimistes has picked up the film from sales agent Europe Film Sales. Talks are ongoing for other territories.
Galician-language Matria focuses on the trials and tribulations of a 40-something single mother in a coastal town in northwestern Spain, and was well received by reviewers at Berlin.
Gago previously made a short film of the same name, featuring the same character, which won the short film grand jury prize at the 2018 Sundance film festival.
Berlinale Panorama title Matria, the feature-debut of Spanish director Álvaro Gago, a Screen Star of Tomorrow, has sold to France.
French distributor Les Alquimistes has picked up the film from sales agent Europe Film Sales. Talks are ongoing for other territories.
Galician-language Matria focuses on the trials and tribulations of a 40-something single mother in a coastal town in northwestern Spain, and was well received by reviewers at Berlin.
Gago previously made a short film of the same name, featuring the same character, which won the short film grand jury prize at the 2018 Sundance film festival.
- 3/31/2023
- by Emilio Mayorga
- ScreenDaily
Spanish sales company to handle Spanish director’s third feature.
Spanish sales company Bendita Films has acquired international rights to Lois Patiño’s third feature Samsara, which plays in the Berlinale’s Encounters section
Samsara is a Sanskrit word referring to the cycle of birth, life, death and re-incarnation. Patiño’s film travels from the temples of Laos to the beaches of Zanzibar, accompanying a soul in transit from one body to another.
Patiño’s Red Moon Tide premiered in the Berlinale Forum in 2020 while Coast of Death won the best emerging director prize at Locarno in 2013. His short film...
Spanish sales company Bendita Films has acquired international rights to Lois Patiño’s third feature Samsara, which plays in the Berlinale’s Encounters section
Samsara is a Sanskrit word referring to the cycle of birth, life, death and re-incarnation. Patiño’s film travels from the temples of Laos to the beaches of Zanzibar, accompanying a soul in transit from one body to another.
Patiño’s Red Moon Tide premiered in the Berlinale Forum in 2020 while Coast of Death won the best emerging director prize at Locarno in 2013. His short film...
- 2/7/2023
- by Emilio Mayorga
- ScreenDaily
In the run-up to February’s Berlin Film Festival, Madrid-based Latido Films has pounced on “Sica,” the fiction feature debut of Carla Subirana, one of a hard-to-miss vibrant new generation of Barcelona-based women directors and producers now galvanizing the Catalan film scene.
In a frequent alignment between the two companies, Spanish distribution will be handled by Adolfo Blanco’s A Contracorriente Films, one of Spain’s top indie distributors.
Also written by Subirana, the film is produced by another new Catalan generation leading-light: Director-producer Alba Sotorra whose latest outing behind the cameras, “The Return: Life After Isis,” which world premiered at Sxsx, was nominated for a 2022 Intl. Emmy Award and was described by Variety as a “compassionate, essential glimpse into the aftermath of radicalization.”
A triple winner at 2022’s Malaga Festival work in progress,
“Sica” encapsulates many of the currents now coursing through cutting-edge fiction in Spain: a redolent sense...
In a frequent alignment between the two companies, Spanish distribution will be handled by Adolfo Blanco’s A Contracorriente Films, one of Spain’s top indie distributors.
Also written by Subirana, the film is produced by another new Catalan generation leading-light: Director-producer Alba Sotorra whose latest outing behind the cameras, “The Return: Life After Isis,” which world premiered at Sxsx, was nominated for a 2022 Intl. Emmy Award and was described by Variety as a “compassionate, essential glimpse into the aftermath of radicalization.”
A triple winner at 2022’s Malaga Festival work in progress,
“Sica” encapsulates many of the currents now coursing through cutting-edge fiction in Spain: a redolent sense...
- 1/27/2023
- by John Hopewell
- Variety Film + TV
Georgia Oakley’s ‘Blue Jean’ won the audience award.
French cinema is this year the true winner at Seville European Film Festival (Seff), as France’s production companies are involved in the production of the eight main prizes at the Seville’s event which wrapped on Saturday.
Alice Diop’s first fiction feature Saint Omer adds Seville’s best feature award, the Golden Giraldillo to its brilliant career kicking off at Venice where it took the Silver Lion award.
The film has also been nomimated for France’s prestigiousLouis Delluc prize in both best feature and best debut categories and...
French cinema is this year the true winner at Seville European Film Festival (Seff), as France’s production companies are involved in the production of the eight main prizes at the Seville’s event which wrapped on Saturday.
Alice Diop’s first fiction feature Saint Omer adds Seville’s best feature award, the Golden Giraldillo to its brilliant career kicking off at Venice where it took the Silver Lion award.
The film has also been nomimated for France’s prestigiousLouis Delluc prize in both best feature and best debut categories and...
- 11/13/2022
- by Emilio Mayorga
- ScreenDaily
In its first full-on post-pandemic edition, Locarno roared back into action as an industry hub over Aug. 3-9, smashing attendance records with delegates at industry arm Locarno Pro soaring from 2019’s prior record of 1,040 to 1,300.
That reflects the year-round work of festival artistic director Giona Nazzaro and industry head Markus Duffner at Locarno Pro, building on foundations laid by Nadia Dresti over 2010-19. Sky rocketing attendance also says much about the state of the international film industry as it is is rocked by titanic sea change propelled by global, regional and local streaming platforms. Following, 10 takes on Locarno as its turns its final bend towards Aug. 13’s awards announcement.
Latest Deals
A score or more of new deals announced since Sunday in exclusivity to Variety:
*Germany’s Pluto Film has been in negotiations with several theatrical distributors on Locarno Piazza Grande title “Semret,” ahead of its world premiere on Aug.
That reflects the year-round work of festival artistic director Giona Nazzaro and industry head Markus Duffner at Locarno Pro, building on foundations laid by Nadia Dresti over 2010-19. Sky rocketing attendance also says much about the state of the international film industry as it is is rocked by titanic sea change propelled by global, regional and local streaming platforms. Following, 10 takes on Locarno as its turns its final bend towards Aug. 13’s awards announcement.
Latest Deals
A score or more of new deals announced since Sunday in exclusivity to Variety:
*Germany’s Pluto Film has been in negotiations with several theatrical distributors on Locarno Piazza Grande title “Semret,” ahead of its world premiere on Aug.
- 8/10/2022
- by John Hopewell, Marta Balaga and Pablo Sandoval
- Variety Film + TV
Paris-based sales company Alief has swooped on international sales rights to horror-political thriller “Matadero” (“Slaughterhouse”), the awaited fiction feature debut of Argentina’s Santiago Fillol, co-scribe on Oliver Laxe’s Cannes winners “Mimosa” and “Fire Will Come.”
Co-written by Fillol, “Matadero” world premieres this week in Locarno’s main International Competition.
The film takes a stark look at a historic tale through the maniacal lens of U.S. filmmaker Jared (Julio Perillán), as he shoots a big-screen version of a 19th-century text by Argentine writer Estaban Echeverría, exploiting the times and their trappings to create a piece of cinema meant to dig itself into the collective consciousness.
Taking on tensions that boil over between landowners and laborers, Jared’s lofty vision for his adaptation will push the cast and crew to the brink. As his plot advances, ego and deception reign.
Fillol’s rendition takes place in 1970s rural Argentina,...
Co-written by Fillol, “Matadero” world premieres this week in Locarno’s main International Competition.
The film takes a stark look at a historic tale through the maniacal lens of U.S. filmmaker Jared (Julio Perillán), as he shoots a big-screen version of a 19th-century text by Argentine writer Estaban Echeverría, exploiting the times and their trappings to create a piece of cinema meant to dig itself into the collective consciousness.
Taking on tensions that boil over between landowners and laborers, Jared’s lofty vision for his adaptation will push the cast and crew to the brink. As his plot advances, ego and deception reign.
Fillol’s rendition takes place in 1970s rural Argentina,...
- 8/10/2022
- by Holly Jones
- Variety Film + TV
Saudi Arabia’s rapidly expanding Telfaz11 Studios is teaming up with France’s Easy Riders Films to develop and produce a slate of four features directed by emerging Saudi talents with international ambitions.
The first title expected to go into production is “Night Courier,” a comedy about a young man named Fahad who winds up in possession of six crates of illicit booze in an Arab city known for its hidden delights and dangers. This project was first presented last year at the inaugural Red Sea Film Festival’s Red Sea Souk projects market.
The four-picture pact between Telfaz11 and Easy Riders was forged at the Cannes Film Festival.
Founded by Alaa Yousef Fadan, Ali Al Kalthami, and Ibrahim Al Khairallah, Telfaz11 is an innovative content company that started out in the YouTube space and has since seen rapid growth in both production and distribution. They recently closed a funding pact with strategic investors.
The first title expected to go into production is “Night Courier,” a comedy about a young man named Fahad who winds up in possession of six crates of illicit booze in an Arab city known for its hidden delights and dangers. This project was first presented last year at the inaugural Red Sea Film Festival’s Red Sea Souk projects market.
The four-picture pact between Telfaz11 and Easy Riders was forged at the Cannes Film Festival.
Founded by Alaa Yousef Fadan, Ali Al Kalthami, and Ibrahim Al Khairallah, Telfaz11 is an innovative content company that started out in the YouTube space and has since seen rapid growth in both production and distribution. They recently closed a funding pact with strategic investors.
- 5/27/2022
- by Nick Vivarelli
- Variety Film + TV
Alba Sotorra has teamed with Miramemira’s Andrea Vázquez, Spanish pubcaster Tve and Catalonia’s Tvc to co-produce “Sica,” the first fiction feature of documentarist Carla Subirana , a 2012 Málaga Golden Biznaga winner for “Kanimambo” and director of “Nedar.”The film is included in Malaga’s Spanish Wip showcase.
The feature focuses on 13-year old Sica who lives on Costa da Morte, a Galician fishing shoreline known for its natural beauty and the danger of its coast. Passionate about the ocean, Sica waits for the waves to bring back the corpse of her father, a fisherman who perished at sea alongside her friend’s Leda. But that never happens – something Sica can’t accept.
As “the world’s corner,” this special landscape “joins two essential ideas: the transformation of a way of life of an entire community historically linked to the sea; and a reflection – if we do not reverse the current climatic trend,...
The feature focuses on 13-year old Sica who lives on Costa da Morte, a Galician fishing shoreline known for its natural beauty and the danger of its coast. Passionate about the ocean, Sica waits for the waves to bring back the corpse of her father, a fisherman who perished at sea alongside her friend’s Leda. But that never happens – something Sica can’t accept.
As “the world’s corner,” this special landscape “joins two essential ideas: the transformation of a way of life of an entire community historically linked to the sea; and a reflection – if we do not reverse the current climatic trend,...
- 3/23/2022
- by Emilio Mayorga
- Variety Film + TV
The first screenings in the programme are the Oscar entries for Luxembourg, Ukraine, Panama, Netherlands and Algeria.
Screen International is hosting a series of online screenings, focused on - but not limited to - the international feature awards race.
This initiative is designed to enable each country to organise an event around their submission.
Sign up for the screenings here
For the second year, Screen is partnering with Archipel Market, a film market platform powered by Cascade8, enabling industry professionals to interact and replicate film market activities online, all year round.
Find out more about the titles below:
Hong Kong:...
Screen International is hosting a series of online screenings, focused on - but not limited to - the international feature awards race.
This initiative is designed to enable each country to organise an event around their submission.
Sign up for the screenings here
For the second year, Screen is partnering with Archipel Market, a film market platform powered by Cascade8, enabling industry professionals to interact and replicate film market activities online, all year round.
Find out more about the titles below:
Hong Kong:...
- 12/9/2021
- by Screen staff
- ScreenDaily
The first screenings in the programme are the Oscar entries for Luxembourg, Ukraine, Panama, Netherlands and Algeria.
Screen International is hosting an exclusive series of online screenings focused on the international feature awards race.
This initiative is designed to enable each country to organise an event around their submission.
The first screenings in the programme are the Oscar entries for Luxembourg (Io Sto Bene), Ukraine (Bad Roads), Panama (Plaza Catedral), Netherlands (Do not Hesitate) and Algeria (Heliopolis). More titles will be added during this year’s awards season.
Sign up for the screenings here
For the second year, Screen is partnering with Archipel Market,...
Screen International is hosting an exclusive series of online screenings focused on the international feature awards race.
This initiative is designed to enable each country to organise an event around their submission.
The first screenings in the programme are the Oscar entries for Luxembourg (Io Sto Bene), Ukraine (Bad Roads), Panama (Plaza Catedral), Netherlands (Do not Hesitate) and Algeria (Heliopolis). More titles will be added during this year’s awards season.
Sign up for the screenings here
For the second year, Screen is partnering with Archipel Market,...
- 11/19/2021
- by Screen staff
- ScreenDaily
Selected by Variety as a talent to track, Spain’s Jaione Camborda is developing her sophomore effort, “The Rye Horn,” a story that takes place in ‘70s Galicia. After a terrible event, midwife María is forced to become a fugitive and, to wrestle back her freedom, flee Galicia for Portugal along an old smugglers’ route.
Camborda attended Prague’s Famu film school and Munich’s University of Film and Television (Hff Munich). After several experimental shorts her feature debut “Arima” took a New Waves Award at the Seville European Fest in 2019.
“The Rye Horn” has been developed at two of Spain’s leading labs, San Sebastian’s Ikusmira Berriak and Madrid’s Ecam Incubator, and has participated at the TIFF Filmmaker Lab. The project is back by Galician pubcaster Tvg and the region’s Agency of Cultural Industries (Agadic). “The Rye Horn” is produced by Andrea Vázquez at Miramemira – the...
Camborda attended Prague’s Famu film school and Munich’s University of Film and Television (Hff Munich). After several experimental shorts her feature debut “Arima” took a New Waves Award at the Seville European Fest in 2019.
“The Rye Horn” has been developed at two of Spain’s leading labs, San Sebastian’s Ikusmira Berriak and Madrid’s Ecam Incubator, and has participated at the TIFF Filmmaker Lab. The project is back by Galician pubcaster Tvg and the region’s Agency of Cultural Industries (Agadic). “The Rye Horn” is produced by Andrea Vázquez at Miramemira – the...
- 9/22/2021
- by Emilio Mayorga
- Variety Film + TV
Fire Will Come Photo: Courtesy of Cannes Film Festival Fire Will Come, 1.55am, Film4, July 18
Oliver Laxe's slowbuild Glacian-set drama may be quite light on plotting but it crackles with emotion. The film is largely constructed of shared moments between Amador (Amador Arias) - an arsonist who is newly released from prison - and his elderly mother Benedicta (Benedicta Sánchez). Almost everything here feels ambivalent - Amador's relationship with the local townsfolk and the natural environment, not to mention the effect that vet Elena (Elena Mar Fernández) may have on his life. The nature of humanity, as a power for construction or destruction is considered as we wait for that fire to come. Read our full review.
Gravity, 8.35pm, BBC1, Tuesday, July 13
Although the big screen is best for Alfonso Cuarón's spectacularly shot space drama, the small screen adds something to the intensity of Sandra Bullock's central performance as Dr Ryan Stone,...
Oliver Laxe's slowbuild Glacian-set drama may be quite light on plotting but it crackles with emotion. The film is largely constructed of shared moments between Amador (Amador Arias) - an arsonist who is newly released from prison - and his elderly mother Benedicta (Benedicta Sánchez). Almost everything here feels ambivalent - Amador's relationship with the local townsfolk and the natural environment, not to mention the effect that vet Elena (Elena Mar Fernández) may have on his life. The nature of humanity, as a power for construction or destruction is considered as we wait for that fire to come. Read our full review.
Gravity, 8.35pm, BBC1, Tuesday, July 13
Although the big screen is best for Alfonso Cuarón's spectacularly shot space drama, the small screen adds something to the intensity of Sandra Bullock's central performance as Dr Ryan Stone,...
- 7/12/2021
- by Amber Wilkinson
- eyeforfilm.co.uk
With most of the main Cannes Film Festival lineup now confirmed, it’s now time for the sidebars to be unveiled. First up is the lineup for the Critics Week aka Semaine de la Critique. A spotlight on new filmmakers, in recent years they’ve featured works by Julia Ducournau (who now has a film in competition this year with Titane), Hlynur Pálmason, Oliver Laxe, Agnieszka Smoczyńska, Jonas Carpignano, Myroslav Slaboshpytskiy, Ritesh Batra, and more.
This year’s slate is full of a new class of emerging filmmakers, with the opening selection, Constance Meyer’s Robuste starring Gérard Depardieu and Déborah Lukumuena, the Adèle Exarchopoulos-led Zero Fucks Given by Julie Lecoustre & Emmanuel Marre, and more. The jury this year is headed by Cristian Mungiu.
Check out the lineup below and see more about each film at the links here.
Opening Film
“Robuste,” Constance Meyer
Special Screenings
“Anaïs in Love,...
This year’s slate is full of a new class of emerging filmmakers, with the opening selection, Constance Meyer’s Robuste starring Gérard Depardieu and Déborah Lukumuena, the Adèle Exarchopoulos-led Zero Fucks Given by Julie Lecoustre & Emmanuel Marre, and more. The jury this year is headed by Cristian Mungiu.
Check out the lineup below and see more about each film at the links here.
Opening Film
“Robuste,” Constance Meyer
Special Screenings
“Anaïs in Love,...
- 6/7/2021
- by Jordan Raup
- The Film Stage
In the arid, lunar landscape of Ainhoa Rodríguez’s Destello Bravío, a whole village waits for things to fall apart. We’re in the rural outskirts of Spain’s Extremadura region, a few miles from the border with Portugal, but the hamlet remains unnamed—it juts into being from a fable, a land of almost biblical desolation and solitude. The old folks marooned here are the last surviving members of an old species, but the film is so committed to its oneiric and sepulchral fabric that they may as well be dead already. Ghosts in a ghost town. In a tale that draws so much of its perturbing allure from its relationship with the supernatural, it’s fitting that watching Destello Bravío should carry a kind of cosmic quality—like watching a dead star flicker, knowing the source of the light you see died a long, long time ago.
For...
For...
- 5/5/2021
- by Leonardo Goi
- The Film Stage
Jaione Camborda’s “The Rye Horn,” Enrique Buleo’s “Still Life with Ghosts” and Eva Saiz’s “Casa de fieras” feature among a bevy of new Spanish film projects to be offered at the 4th Madrid-based Incubator.
A mentorship program hosted by Madrid’s Ecam Film School, the Incubator has fast consolidated as one of the foremost development labs in Spain targeting producers of first and second features.
The 4th Incubator runs from April through October.
Projects were chosen from a preselection made from over 200 submitted projects led by The Screen program manager Gemma Vidal. All Incubator’s projects receive €10,000 for development. As valuable, however, will be the tutorship led, among directors, by Arantxa Echevarría (“Carmen & Lola”), Rodrigo Sorogoyen (“May God Save Us”), Juan Cavestany (“Spanish Shame”) and director-producer Alberto Marini (“Summer Camp”).
Producer mentors, packing a large experience and multiple hits, take in Simón de Santiago (“While at War...
A mentorship program hosted by Madrid’s Ecam Film School, the Incubator has fast consolidated as one of the foremost development labs in Spain targeting producers of first and second features.
The 4th Incubator runs from April through October.
Projects were chosen from a preselection made from over 200 submitted projects led by The Screen program manager Gemma Vidal. All Incubator’s projects receive €10,000 for development. As valuable, however, will be the tutorship led, among directors, by Arantxa Echevarría (“Carmen & Lola”), Rodrigo Sorogoyen (“May God Save Us”), Juan Cavestany (“Spanish Shame”) and director-producer Alberto Marini (“Summer Camp”).
Producer mentors, packing a large experience and multiple hits, take in Simón de Santiago (“While at War...
- 4/8/2021
- by Emilio Mayorga
- Variety Film + TV
Mexican virtual lab offers Usd 30,000 in cash prizes.
Spanish multiple Cannes award winner Olivier Laxe and Argentina’s Lisandro Alonso are among participants in the expanded third Mexican project lab Catapulta set to run as an entirely virtual event from March 24-27.
Scroll to bottom to see all lab participants
Laxe, whose Fire Will Come won the Cannes Un Certain Regard jury prize in 2019 and followed a 2016 Critics’ Week grand prize for Mimosas and the 2010 Fipresci award for Directors’ Fortnight selection You Are All Captains, takes part in the new development programme.
His project After (France) follows a man and...
Spanish multiple Cannes award winner Olivier Laxe and Argentina’s Lisandro Alonso are among participants in the expanded third Mexican project lab Catapulta set to run as an entirely virtual event from March 24-27.
Scroll to bottom to see all lab participants
Laxe, whose Fire Will Come won the Cannes Un Certain Regard jury prize in 2019 and followed a 2016 Critics’ Week grand prize for Mimosas and the 2010 Fipresci award for Directors’ Fortnight selection You Are All Captains, takes part in the new development programme.
His project After (France) follows a man and...
- 3/22/2021
- by Jeremy Kay
- ScreenDaily
Mexican virtual lab offers Usd 30,000 in cash prizes.
Spanish multiple Cannes award winner Olivier Laxe, US auteur Rick Alverson and Argentina’s Lisandro Alonso are among participants in the expanded third Mexican project lab Catapulta set to run as an entirely virtual event from March 24-27.
Scroll to bottom to see all lab participants
Laxe, whose Fire Will Come won the Cannes Un Certain Regard jury prize in 2019 and followed a 2016 Critics’ Week grand prize for Mimosas and the 2010 Fipresci award for Directors’ Fortnight selection You Are All Captains, takes part in the new development programme.
His project After (France...
Spanish multiple Cannes award winner Olivier Laxe, US auteur Rick Alverson and Argentina’s Lisandro Alonso are among participants in the expanded third Mexican project lab Catapulta set to run as an entirely virtual event from March 24-27.
Scroll to bottom to see all lab participants
Laxe, whose Fire Will Come won the Cannes Un Certain Regard jury prize in 2019 and followed a 2016 Critics’ Week grand prize for Mimosas and the 2010 Fipresci award for Directors’ Fortnight selection You Are All Captains, takes part in the new development programme.
His project After (France...
- 3/22/2021
- by Jeremy Kay
- ScreenDaily
Contact Film, a well-established Dutch distribution company specializing in arthouse films, is preparing to fold after a 30-year run, Variety has confirmed.
The company, whose past releases include the Oscar-nominated documentary “Honeyland” and Oliver Laxe’s Cannes prize-winning “Fire Will Come,” has ceased acquiring films, said founder and CEO Gérard Huisman, who is retiring this year.
The 70-year-old distribution veteran said he had planned to retire before the pandemic, but had been expecting his board to carry on and its three staff members to keep buying films.
The pandemic, however, created difficulties for the company, which had already been struggling for a number of years, explained Huisman. Because it belongs to a non-profit foundation, Contact Film is not eligible for many subsidies or government loans. The government does cover 30% of employee salaries but the aid hasn’t been sufficient for Contact Film to stay afloat and continue spending money on new acquisitions,...
The company, whose past releases include the Oscar-nominated documentary “Honeyland” and Oliver Laxe’s Cannes prize-winning “Fire Will Come,” has ceased acquiring films, said founder and CEO Gérard Huisman, who is retiring this year.
The 70-year-old distribution veteran said he had planned to retire before the pandemic, but had been expecting his board to carry on and its three staff members to keep buying films.
The pandemic, however, created difficulties for the company, which had already been struggling for a number of years, explained Huisman. Because it belongs to a non-profit foundation, Contact Film is not eligible for many subsidies or government loans. The government does cover 30% of employee salaries but the aid hasn’t been sufficient for Contact Film to stay afloat and continue spending money on new acquisitions,...
- 1/11/2021
- by Elsa Keslassy
- Variety Film + TV
Virus crisis hits film distributor of art house hits including ‘Honeyland’.
Independent Dutch distributor Contact Film is to close down after more than 30 years due to the ongoing virus crisis.
The Arnhem-based company has been a major buyer of arthouse titles since being founded by Gérard Huisman in 1991, with recent titles including the Oscar-nominated Honeyland and Oliver Laxe’s Cannes award-winner, Fire Will Come.
But Huisman confirmed to Screen that Contact Film had ceased acquiring new titles and will shutter the business within the next two years.
Huisman had already planned to step down as CEO but discussed the possibility...
Independent Dutch distributor Contact Film is to close down after more than 30 years due to the ongoing virus crisis.
The Arnhem-based company has been a major buyer of arthouse titles since being founded by Gérard Huisman in 1991, with recent titles including the Oscar-nominated Honeyland and Oliver Laxe’s Cannes award-winner, Fire Will Come.
But Huisman confirmed to Screen that Contact Film had ceased acquiring new titles and will shutter the business within the next two years.
Huisman had already planned to step down as CEO but discussed the possibility...
- 1/11/2021
- by Geoffrey Macnab
- ScreenDaily
“A cinematographer is a visual psychiatrist–moving an audience through a movie […] making them think the way you want them to think, painting pictures in the dark,” said the late, great Gordon Willis. As we continue our year-end coverage, one aspect we must highlight is, indeed, cinematography. From talented newcomers to seasoned professionals, we’ve rounded up the examples that have most impressed us this year. Check out our rundown below.
An Easy Girl (Georges Lechaptois)
The French Riviera is the fitting location for this tale of sexual discovery and class criticism. Georges Lechaptois’ frames are gorgeous not just because of the landscape––we have reoccurring overhead shots of the crystal-blue tides rustling against the beach where characters lay––but the juxtaposition of the quiet life out on the sea. The sun-soaked vistas at lunch are as lively as the quiet, sensuous nights the lovers spend in their dimly lit...
An Easy Girl (Georges Lechaptois)
The French Riviera is the fitting location for this tale of sexual discovery and class criticism. Georges Lechaptois’ frames are gorgeous not just because of the landscape––we have reoccurring overhead shots of the crystal-blue tides rustling against the beach where characters lay––but the juxtaposition of the quiet life out on the sea. The sun-soaked vistas at lunch are as lively as the quiet, sensuous nights the lovers spend in their dimly lit...
- 12/22/2020
- by The Film Stage
- The Film Stage
Brooklyn-based distributor KimStim has acquired North American rights to Brazilian director Maya Da-Rin’s feature debut “The Fever” (“A Febre”), which world premiered in competition at Locarno and played at Toronto in 2019.
The film is represented in international markets by Pierre Menahem’s French sales banner Still Moving, who negotiated the deal on behalf of the producers with KimStim’s Mika Kimoto. “The Fever” will have its New York premiere at New Directors/New Films in December.
“The Fever” follows Justino, a 45-year-old member of the indigenous Desana people, who is a security guard at the Manaus harbor. As his daughter prepares to study medicine in Brasilia, Justino comes down with a mysterious fever. The movie’s key crew includes the veteran cinematographer Barbara Alvarez.
“The Fever” is set to open in theaters in 2021 in France where it will be distributed by Survivance, and in the U.K. with New Wave Films handling,...
The film is represented in international markets by Pierre Menahem’s French sales banner Still Moving, who negotiated the deal on behalf of the producers with KimStim’s Mika Kimoto. “The Fever” will have its New York premiere at New Directors/New Films in December.
“The Fever” follows Justino, a 45-year-old member of the indigenous Desana people, who is a security guard at the Manaus harbor. As his daughter prepares to study medicine in Brasilia, Justino comes down with a mysterious fever. The movie’s key crew includes the veteran cinematographer Barbara Alvarez.
“The Fever” is set to open in theaters in 2021 in France where it will be distributed by Survivance, and in the U.K. with New Wave Films handling,...
- 11/20/2020
- by Elsa Keslassy
- Variety Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSThe prolific, captivating Sean Connery has died. As critic Glenn Kenny writes in his obituary for Decider, Connery will always be "tied to the role of James Bond, [but] so many of Connery’s non-Bond roles were [...] fascinating, challenging, and cinematically important." Recommended VIEWINGGrasshopper Films' official trailer for the new 4k digital restoration of Manoel de Oliveira's 1981 Francisca, an adaptation of Agustina Bessa-Luís’ acclaimed novel. Oscilloscope has released the first trailer for The Twentieth Century, Matthew Rankine's dark comedy-drama that reimagines the life of former Canadian Prime Minister William Lyon Mackenzie King. The film won the Fipresci prize in the Forum section of the 2019 Berlinale. The Asian Film Archive has announced Monographs 2020, a series of video essays commissioned and conceived during lockdown. Featuring a wide range of filmmakers, the series aims to offer "an...
- 11/4/2020
- MUBI
Fire Walk with Me: Laxe Anchors an Arsonist in Meditative Portrait
If fire is the regenerative metaphor of the phoenix, the same cannot be said for the redemption of the arsonist, at least not as depicted in the simmering neorealist slanted drama Fire Will Come from Oliver Laxe.
Playing like a hybrid character study/docudrama, Laxe enlists the local populace of Galicia in northwest Spain, each glancing across the screen defined by their occupations in an environment which seems to be shifting towards tourism and revitalization.…...
If fire is the regenerative metaphor of the phoenix, the same cannot be said for the redemption of the arsonist, at least not as depicted in the simmering neorealist slanted drama Fire Will Come from Oliver Laxe.
Playing like a hybrid character study/docudrama, Laxe enlists the local populace of Galicia in northwest Spain, each glancing across the screen defined by their occupations in an environment which seems to be shifting towards tourism and revitalization.…...
- 11/3/2020
- by Nicholas Bell
- IONCINEMA.com
Oliver Laxe’s brilliant Fire Will Come (currently streaming online in virtual cinemas) opens with an unease that lingers long after the images that inspired it — crowded, quiet, as natural as they are unearthly — have passed us by. A sublime harbinger of the subtle violences to come. Without preface or warning, we’re in a thick forest spooked with fog and unknowing. The camera moves slowly and reveals little at first but the terrain, tracking along the forest floor, then hovering eerily through and above it all, soaking up the...
- 10/30/2020
- by K. Austin Collins
- Rollingstone.com
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and past round-ups here.
City Hall (Frederick Wiseman)
In the opening shot of Frederick Wiseman’s National Gallery, a man polishes the floor in a room walled with masterpieces. Writing about the scene for Mubi recently, the critic Joseph Owen noted that “the politics of this institution exist in a subterranean passage: between its low-paid maintenance jobs and its disreputable oil sponsorships.” Petrodollars aside, it’s an observation that speaks in some way to any number of Wiseman’s films: that the souls of the institutions he so dedicatedly depicts are neither the heads on top, the public face or the multitude of working parts below but something malleable and indefinable in the middle.
City Hall (Frederick Wiseman)
In the opening shot of Frederick Wiseman’s National Gallery, a man polishes the floor in a room walled with masterpieces. Writing about the scene for Mubi recently, the critic Joseph Owen noted that “the politics of this institution exist in a subterranean passage: between its low-paid maintenance jobs and its disreputable oil sponsorships.” Petrodollars aside, it’s an observation that speaks in some way to any number of Wiseman’s films: that the souls of the institutions he so dedicatedly depicts are neither the heads on top, the public face or the multitude of working parts below but something malleable and indefinable in the middle.
- 10/30/2020
- by Jordan Raup
- The Film Stage
Oliver Laxe’s spellbinding third film Fire Will Come opens and closes with grand, almost mythic natural phenomena involving the eucalyptus trees in the Galician region of Spain, but in between it focuses on the everyday rural rhythms in the life of Amador, a convicted arsonist who’s been released from prison, and his elderly mother, Benedicta. While the title anticipates violence and devastation, Laxe maintains a measured, thoughtful pace and refuses to pathologize or sentimentalize Amador, his mother, or the townspeople around them.
As the film reaches virtual cinemas, The Film Stage spoke to Laxe about the search for “essential images,” his desire to not make a psychological film, and shooting a movie where his family was born.
The Film Stage: The opening of the film is rather startling. What about the image of these machines tearing down these trees felt like the right way to begin?
Oliver Laxe:...
As the film reaches virtual cinemas, The Film Stage spoke to Laxe about the search for “essential images,” his desire to not make a psychological film, and shooting a movie where his family was born.
The Film Stage: The opening of the film is rather startling. What about the image of these machines tearing down these trees felt like the right way to begin?
Oliver Laxe:...
- 10/29/2020
- by Max O'Connell
- The Film Stage
Oliver Laxe’s first two films, You All Are Captains (2010) and Mimosas (2016), take place in his adopted home of Morocco. In this year’s Fire Will Come, however, the writer-director returns to his childhood stomping grounds—not Paris, where he was born and raised, but the mountainous enclaves of rural Galicia, an autonomous region in the northwest corner of Spain. Born to Galician parents, Laxe spent formative summer retreats visiting relatives among the natural splendour of the Serra dos Ancares, parts of which overlap with the religious pilgrimage route of the Camino de Santiago. Drawing from childhood memories, Laxe exalts the […]
The post "The Hardest Path is Always the Best Path": Oliver Laxe on Fire Will Come first appeared on Filmmaker Magazine.
The post "The Hardest Path is Always the Best Path": Oliver Laxe on Fire Will Come first appeared on Filmmaker Magazine.
- 10/28/2020
- by Beatrice Loayza
- Filmmaker Magazine - Blog
Oliver Laxe’s first two films, You All Are Captains (2010) and Mimosas (2016), take place in his adopted home of Morocco. In this year’s Fire Will Come, however, the writer-director returns to his childhood stomping grounds—not Paris, where he was born and raised, but the mountainous enclaves of rural Galicia, an autonomous region in the northwest corner of Spain. Born to Galician parents, Laxe spent formative summer retreats visiting relatives among the natural splendour of the Serra dos Ancares, parts of which overlap with the religious pilgrimage route of the Camino de Santiago. Drawing from childhood memories, Laxe exalts the […]
The post "The Hardest Path is Always the Best Path": Oliver Laxe on Fire Will Come first appeared on Filmmaker Magazine.
The post "The Hardest Path is Always the Best Path": Oliver Laxe on Fire Will Come first appeared on Filmmaker Magazine.
- 10/28/2020
- by Beatrice Loayza
- Filmmaker Magazine-Director Interviews
Ben Rivers's Ghost Strata (2019) and Now, at Last! (2018) are exclusively showing October and November 2020 on Mubi in the series Ben Rivers: As Time Goes By.Above: Ghost StrataOver the course of nearly two decades, Ben Rivers has been called many things: a portraitist, a documentarian, an experimental ethnographer—even, in his own words, an “accidental anthropologist.” Early in his 2019 film Ghost Strata, a tarot reader points to a less remarked upon feature of Rivers’s work: “All your movies are about you,” she says, suggesting an autobiographical through-line in a filmography rarely acknowledged for its personal aspects.While a rereading of Rivers’s entire body of work is a fascinating proposition, one might look to Ghost Strata and another film he shot the same year, Now, at Last! (2018), for evidence of how these personal elements have manifested in the British director’s recent work. In Ghost Strata, a diary-like...
- 10/21/2020
- MUBI
Jessica Sarah Rinland’s “Collective Monologue” and Elena Martin Gimeno’s “Creature” are among the five projects selected this year at Ikusmira Berriak.
The sixth edition of the training program is now in the second segment of its residency at San Sebastian, and a different world awaits its five participants since their first meeting in March.
Rinland, an Argentine-British installation artist and filmmaker, said that it was “a small miracle” any of this year’s cohort had made it back for the San Sebastian Film Festival, where they will present their projects to the industry.
Rinland is one of five filmmakers, selected from 185 submissions, who were granted a fellowship for this year’s program, to develop her second feature, which explores the rise and fall of zoos in society.
“I feel very fortunate to be supported by an institution which backs the development of non-conventional films, especially at this time...
The sixth edition of the training program is now in the second segment of its residency at San Sebastian, and a different world awaits its five participants since their first meeting in March.
Rinland, an Argentine-British installation artist and filmmaker, said that it was “a small miracle” any of this year’s cohort had made it back for the San Sebastian Film Festival, where they will present their projects to the industry.
Rinland is one of five filmmakers, selected from 185 submissions, who were granted a fellowship for this year’s program, to develop her second feature, which explores the rise and fall of zoos in society.
“I feel very fortunate to be supported by an institution which backs the development of non-conventional films, especially at this time...
- 9/21/2020
- by Ann-Marie Corvin
- Variety Film + TV
Palme d’Or winning producer Luis Miñarro (“Uncle Boonmee Who Can Recall His Past Lives”) is set to direct his fifth feature, ”Impalpable” (a working title), produced by Miñarro’s label, Barcelona-based Eddie Saeta, one of Spain’s most prominent arthouse shingles.
Written by Miñarro, “Impalpable” follows a series of characters who take a bus to an unspecified destination. The situation becomes gradually
stranger as the bus make no stops. Nor can the passengers descend.
“Impalpable”‘s cast will include Naomi Kawase, Geraldine Chaplin and Spain’s Lola Dueñas (“The Sea Inside”) and Francesc Orella (“Julia’s Eyes”), among others.
By chance, though with foresight, ”I first thought of this project before the pandemic. It’s a homage to Luis Buñuel’s ‘The Exterminating Angel,’” Miñarro told Variety. Over three days and two nights, its characters get to know one another, as the audience enters the minds of main characters, unleashing...
Written by Miñarro, “Impalpable” follows a series of characters who take a bus to an unspecified destination. The situation becomes gradually
stranger as the bus make no stops. Nor can the passengers descend.
“Impalpable”‘s cast will include Naomi Kawase, Geraldine Chaplin and Spain’s Lola Dueñas (“The Sea Inside”) and Francesc Orella (“Julia’s Eyes”), among others.
By chance, though with foresight, ”I first thought of this project before the pandemic. It’s a homage to Luis Buñuel’s ‘The Exterminating Angel,’” Miñarro told Variety. Over three days and two nights, its characters get to know one another, as the audience enters the minds of main characters, unleashing...
- 9/20/2020
- by Emilio Mayorga
- Variety Film + TV
A burgeoning film-tv hub and shoot locale in Spain, Navarre is proving a hotbed for new companies and projects which are now helping the region to gain bigger visibility abroad. Some start-up, or standout Navarre-based outfits expected to attend this week’s on-site Conecta Fiction in Pamplona:
Adhokers Navarra
Created by Beatriz Acinas and José Luis Tejedor, Adhokers has offices in Madrid and Pamplona and produces TV contents and commercials. Upcoming projects include TV series “Encuentros en Villa Lancaster” and “Manual de usar y tirar.”
Apolo Films
Founded by legendary animation creator-entrepreneur Claudio Biern Boyd, indie studio Apolo has operated in Navarre since 2018, focusing on toon features inspired by well-known international brands. On Jan. 21, it will release in Spain swashbuckling adventure “Dogtanian & The Three Muskehounds,” the newest installment in the the 40-year-old iconic TV property. “Dogtanian” is helmed by Apolo creative director Toni García and written by “Puss in Boots...
Adhokers Navarra
Created by Beatriz Acinas and José Luis Tejedor, Adhokers has offices in Madrid and Pamplona and produces TV contents and commercials. Upcoming projects include TV series “Encuentros en Villa Lancaster” and “Manual de usar y tirar.”
Apolo Films
Founded by legendary animation creator-entrepreneur Claudio Biern Boyd, indie studio Apolo has operated in Navarre since 2018, focusing on toon features inspired by well-known international brands. On Jan. 21, it will release in Spain swashbuckling adventure “Dogtanian & The Three Muskehounds,” the newest installment in the the 40-year-old iconic TV property. “Dogtanian” is helmed by Apolo creative director Toni García and written by “Puss in Boots...
- 9/1/2020
- by Emiliano De Pablos
- Variety Film + TV
Fire Will Come (O Que Arde) Kimstim Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten Director: Oliver Laxe Screenwriter: Santiago Fillol, Oliver Laxe Cast: Amador Arias, Benedicta Sánchez, Inazio Abrao, Elena Mar Fernández, David de Poso, Alvaro de Bazal, Damián Prado Screened at: Critics’ link, NYC, 3/5/20 Opens: May 8, 2020 […]
The post Fire Will Come Movie Review appeared first on Shockya.com.
The post Fire Will Come Movie Review appeared first on Shockya.com.
- 8/4/2020
- by Harvey Karten
- ShockYa
Producers on the Move, a networking forum for up-and-coming producers from Europe, takes place as a virtual event this week. The organizer, European Film Promotion, has given Variety exclusive access to the projects the producers are pitching to sales companies.
Here are their projects, including the latest films from the directors of SXSW standout “Lake Bodom” and Cannes breakout “Fire Will Come.” (Biographies of the producers can be found at this link.)
“After”
Producer: Andrea Queralt, 4 A 4 Productions (France)
Director: Oliver Laxe
Genre: Existential Road-Movie
The next film from Oliver Laxe, the director of Cannes breakout hit “Fire Will Come,” winner of the Un Certain Regard Jury Prize. “After” follows a disparate group of ravers who go in quest of the ultimate party in a remote corner of Africa. They embark on an odyssey into the depths of the Saharan desert, a mirror of sand for the characters.
“La Bella Estate”
Producer: Giovanni Pompili,...
Here are their projects, including the latest films from the directors of SXSW standout “Lake Bodom” and Cannes breakout “Fire Will Come.” (Biographies of the producers can be found at this link.)
“After”
Producer: Andrea Queralt, 4 A 4 Productions (France)
Director: Oliver Laxe
Genre: Existential Road-Movie
The next film from Oliver Laxe, the director of Cannes breakout hit “Fire Will Come,” winner of the Un Certain Regard Jury Prize. “After” follows a disparate group of ravers who go in quest of the ultimate party in a remote corner of Africa. They embark on an odyssey into the depths of the Saharan desert, a mirror of sand for the characters.
“La Bella Estate”
Producer: Giovanni Pompili,...
- 5/14/2020
- by Leo Barraclough
- Variety Film + TV
Ben Rivers and Anocha Suwichakornpong's Krabi 2562 is showing exclusively on Mubi from May 29 - June 28, 2020 in the United Kingdom.In art cinema terms, Ben Rivers and Anocha Suwichakornpong’s co-directed feature Krabi 2562 could be considered an event. And momentous it is: a rare meeting of two artists at the height of their creative powers, it’s a work that embodies much of what makes each of these filmmakers unique amongst their peers. While divergent in style, Rivers and Suwichakornpong share an interest in myth, landscape, historical memory, and marginalized communities, all of which are explored in Krabi 2562 through a combination of surreal humor and biting social satire. Set in the eponymous coastal Thai town, the film unfolds through a series of on-camera interviews with locals and a variety of lightly fictionalized episodes that take the viewer on an episodic tour of the city, from its stunning cliffside beaches to the bars,...
- 5/4/2020
- MUBI
Indefatigable art film activist José María Riba, a former head of Cannes Critics’ Week, driving force behind San Sebastian’s Films in Progress and co-founder of Espagnolas en Paris, died on May 2 from cancer, exacerbated by the effects of Covid-19. He was 68.
With his death, Spain and Latin America loses one of the founding fathers of an international Spanish-language arthouse sector which flowered from the turn of the century, an unflagging, perpetually smiling, convivial advisor to a new generation of Spanish-language talent which changed the face of Latin American and Spanish cinema and made of their films one of the best things that these territories had to offer.
Born in Barcelona, Riba relocated to Paris where he spent the rest of his professional life. The move was his making. Working as a journalist for Liberation and, from 1982 to 2017, France Press, Riba brought to the Spanish-language cinema a conviction – unquestioned in Paris,...
With his death, Spain and Latin America loses one of the founding fathers of an international Spanish-language arthouse sector which flowered from the turn of the century, an unflagging, perpetually smiling, convivial advisor to a new generation of Spanish-language talent which changed the face of Latin American and Spanish cinema and made of their films one of the best things that these territories had to offer.
Born in Barcelona, Riba relocated to Paris where he spent the rest of his professional life. The move was his making. Working as a journalist for Liberation and, from 1982 to 2017, France Press, Riba brought to the Spanish-language cinema a conviction – unquestioned in Paris,...
- 5/3/2020
- by John Hopewell and Emilio Mayorga
- Variety Film + TV
Curzon Home Cinema, BFI Player, MubiI and more are moving fast to respond to cancelled theatrical releases and cinema closures.
The UK release of independent, arthouse and foreign language films has been thrown into disarray following the closure of every cinema in the country as a result of the Covid-19 outbreak.
But streaming services such as Curzon Home Cinema, BFI Player and Mubi are throwing a lifeline to these titles and offering audiences the opportunity to support cinema at a time when it needs it most.
Even 10 years ago, this would not have been possible as widespread take-up of Svod...
The UK release of independent, arthouse and foreign language films has been thrown into disarray following the closure of every cinema in the country as a result of the Covid-19 outbreak.
But streaming services such as Curzon Home Cinema, BFI Player and Mubi are throwing a lifeline to these titles and offering audiences the opportunity to support cinema at a time when it needs it most.
Even 10 years ago, this would not have been possible as widespread take-up of Svod...
- 3/26/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
Oliver Laxe’s drama about a fire-starter in rural Spain is visually arresting but exasperating as a piece of storytelling
It is certainly an ominous title for a movie about a convicted pyromaniac being released from prison and allowed home to live with his mother. Oliver Laxe’s Fire Will Come is a sombre but lovely looking film that makes its own kind of higher sense in the context of climate change – an award winner in the Un Certain Regard at last year’s Cannes. But, as before with this director, I find myself admiring his visual and compositional sense, while being a bit exasperated by the provisional and coyly non-committal nature of his storytelling.
Amador (played by non-professional Amador Arias) is the guy whom we see leaving jail, with officials muttering over his hefty official file and the wildfire he was notoriously found to have set in the hills some years back.
It is certainly an ominous title for a movie about a convicted pyromaniac being released from prison and allowed home to live with his mother. Oliver Laxe’s Fire Will Come is a sombre but lovely looking film that makes its own kind of higher sense in the context of climate change – an award winner in the Un Certain Regard at last year’s Cannes. But, as before with this director, I find myself admiring his visual and compositional sense, while being a bit exasperated by the provisional and coyly non-committal nature of his storytelling.
Amador (played by non-professional Amador Arias) is the guy whom we see leaving jail, with officials muttering over his hefty official file and the wildfire he was notoriously found to have set in the hills some years back.
- 3/18/2020
- by Peter Bradshaw
- The Guardian - Film News
Audiences to be directed to digital platform Curzon Home Cinema.
UK cinema chain Curzon is to close its theatres following government advice over the spread of coronavirus and direct audiences to digital platform Curzon Home Cinema.
The company operates 13 cinemas around the country, which will be closed from Thursday (March 19) and comes the day after UK prime minister Boris Johnson advised people to avoid theatres and pubs, while stopping short of forcing venues to close.
It is the latest cinema chain to announce closures on the day Odeon, Vue, Cineworld, Picturehouse, Everyman and BFI Southbank committed to shutter operations amid the Covid-19 pandemic.
UK cinema chain Curzon is to close its theatres following government advice over the spread of coronavirus and direct audiences to digital platform Curzon Home Cinema.
The company operates 13 cinemas around the country, which will be closed from Thursday (March 19) and comes the day after UK prime minister Boris Johnson advised people to avoid theatres and pubs, while stopping short of forcing venues to close.
It is the latest cinema chain to announce closures on the day Odeon, Vue, Cineworld, Picturehouse, Everyman and BFI Southbank committed to shutter operations amid the Covid-19 pandemic.
- 3/17/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
Bong Joon Ho started his 20th year as a feature filmmaker on a high note with a history-making evening at the 92nd Academy Awards. Bong’s beloved social thriller “Parasite” won South Korea its first Oscars and became the first foreign-language movie to receive the Academy Award for Best Picture. But the Oscar wins aren’t the only way Bong kicked off a milestone year in his career. For Sight and Sound magazine’s February edition, Bong served as guest editor and curated a list of 20 filmmakers he believes will continue to shape the look and voice of cinema over the next decade.
“The year is 2020, a number that belongs to a sci-fi film in itself,” Bong writes in his introduction. “I do not wish to summon these 20 directors for the sake of discussing the future of cinema. I simply wish to discuss the films they have already created. But in the end,...
“The year is 2020, a number that belongs to a sci-fi film in itself,” Bong writes in his introduction. “I do not wish to summon these 20 directors for the sake of discussing the future of cinema. I simply wish to discuss the films they have already created. But in the end,...
- 2/25/2020
- by Zack Sharf
- Indiewire
Pedro Almodóvar calls for “protection” of independent cinema in Spain.
Pedro Almodóvar’s Pain & Glory was the big winner at the Spanish Film Academy Awards in Málaga on Saturday night (25) with seven Goyas including best film, best director and best actor for Antonio Banderas.
With 17 and 16 nominations respectively, Alejandro Amenábar’s While At War and Almodóvar’s Pain & Glory started the night as the two favourites and the race looked close until almost the end, when Antonio Banderas went onstage to collect the Goya for best actor.
A moved Banderas – who had already seen his work recognised with...
Pedro Almodóvar’s Pain & Glory was the big winner at the Spanish Film Academy Awards in Málaga on Saturday night (25) with seven Goyas including best film, best director and best actor for Antonio Banderas.
With 17 and 16 nominations respectively, Alejandro Amenábar’s While At War and Almodóvar’s Pain & Glory started the night as the two favourites and the race looked close until almost the end, when Antonio Banderas went onstage to collect the Goya for best actor.
A moved Banderas – who had already seen his work recognised with...
- 1/26/2020
- by 1100969¦Elisabet Cabeza¦0¦
- ScreenDaily
Pedro Almodóvar calls for “protection” of independent cinema in Spain.
Pedro Almodóvar’s Pain & Glory was the big winner at the Spanish Film Academy Awards in Málaga on Saturday night (25) with seven Goyas including best film, best director and best actor for Antonio Banderas.
With 17 and 16 nominations respectively, Alejandro Amenábar’s While At War and Almodóvar’s Pain & Glory started the night as the two favourites and the race looked close until almost the end, when Antonio Banderas went onstage to collect the Goya for best actor.
A moved Banderas – who had already seen his work recognised with...
Pedro Almodóvar’s Pain & Glory was the big winner at the Spanish Film Academy Awards in Málaga on Saturday night (25) with seven Goyas including best film, best director and best actor for Antonio Banderas.
With 17 and 16 nominations respectively, Alejandro Amenábar’s While At War and Almodóvar’s Pain & Glory started the night as the two favourites and the race looked close until almost the end, when Antonio Banderas went onstage to collect the Goya for best actor.
A moved Banderas – who had already seen his work recognised with...
- 1/26/2020
- by 1100969¦Elisabet Cabeza¦0¦
- ScreenDaily
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